Eddie Condon's second LP for Columbia (and his first not to be shared with another band) is a side of Columbia's jazz output that's appreciated too little today - the label may not always have recorded enough, or enough of its artists the right way doing the right repertory, but with Condon they got it right. The goal here was to capture Condon and his band jamming as they might at his club, with various friends joining in, working in the optimized setting of Columbia's 30th Street Studio in Manhattan. Peanuts Hucko (clarinet), Lou McGarity (trombone), Bud Freeman (tenor sax), Dick Cary (alto horn), and Billy Butterfield (trumpet) were the guests on the two sets of sessions held one week apart. Of the five resulting numbers, the 13-minute "How Come You Do Me Like You Do" is the highlight, with a killer horn solo by Cary and beautiful solos by Cutty Cutshall, McGarity, and Freeman as well…
Eddie Boyd was a half-brother of Memphis Slim and a cousin of Muddy Waters. He spent his early years on Stovall’s Plantation but ran away after a dispute with an overseer. Self-taught on guitar and piano, he worked around the south during the 30s, as both ‘Little Eddie’ and ‘Ernie’ Boyd, from a base in Memphis, before settling in Chicago where he worked in a steel-mill. He was active in music, performing with Waters, Johnny Shines and John Lee ‘Sonny Boy’ Williamson before he had his first big hit under his own name with ‘Five Long Years’, on the Job label in 1952. He recorded extensively for Chess Records, having successes with ‘24 Hours’ and ‘3rd Degree’. He journeyed to Europe during the ‘Blues Boom’ of the 60s and, considering himself too assertive to live comfortably in the USA, took up residence first in Paris and later in Finland…
Eddie Turner is a guitar god. He's been profiled in Blues Revue, Guitar Edge, and has been reviewed in almost every guitar magazine. His CDs are NOT straight-ahead blues, but they meld rock, jazz, and latin music into the mix. Many reviewers compare him to Jimi Hendrix in his usage of psychedelic imagery. Eddie Turner is one of the best blues guitarists alive, and his third CD for NorthernBlues demonstrates not only his prowess with the instrument, but his terrific song-writing as well.
Eddie Turner's sophomore solo release, coming just a year after his first album, stays in the same groove as his well-received 2005 offering. That album nabbed a Blues Music Award nomination for Best New Artist Debut, and this one is just as impressive. Maybe he's making up for lost time since the guitarist has been at it as a sideman for three decades starting with his work in the legendary Zephyr. But whatever the reason, this is another gripping slab of searing, imaginative blues-rock.
We could have taken the easy way out. The original 1993 box set was out of stock. We could simply have printed more copies and filled orders. Of course, we didn’t. This is Bear Family Records and we don’t take shortcuts. We’ve invested more than 1000 hours in re-writing, recompiling and re-mastering this box. The brilliant engineering by Christian Zwarg will leave you shaking your head in admiration. You won’t quite recognize some of your favorite Fats Domino tracks because they’ve never sounded this good.