Edgard Reitz

In 1835 Donizetti’s Lucia di Lammermoor made its triumphant debut at the San Carlo in Naples.

Acknowledged as a definitive model of Italian Romantic melodrama, Lucia di Lammermoor was one of Donizetti’s greatest triumphs, and its popularity led him to produce a French version for Parisian audiences. Lucie de Lammermoor became the ‘other Lucia’, with the opera’s tragic tale of feuding families and doomed romance modified in a way that deepens the characters and makes it an even more brutal and emotional theatrical experience than the original. This new Lucie de Lammermoor made its debut in 1839 with enormous success, becoming a cornerstone of French culture.

A Revolution In Sound looks at the influence of modern classical music, the avant-garde and free jazz on pop and pop culture, during the second half of the twentieth century. In the mid-1960s, as pop music acquired a greater sophistication and maturity, artists began to make more ambitious musical and conceptual statements. In the search for new ideas, pop began to find inspiration along the spectrum of classical music – from Stockhausen to Sibelius – and from artists who inhabited the outer reaches of jazz, drawing even on the classical music of Northern India with its roots in the antique past.

A non-official collection with more than 60 years of classical Avant-Garde Electronic music. It includes 62 CDs in total with a lot of rare and historical stuff.
CD 4 includes works by Bengt Hambraeus, Giselher Klebe and Edgard Varèse.

You Are Beautiful shows the countless young women who feel like they are not thin/pretty/good enough how to find true confidence as they discover their identity in Christ.