Edgard Winger

IV is American rock band Winger's first album of new studio material since 1993's Pull. According to frontman Kip Winger, one morning he "just woke up and heard the new Winger record" in his head, knowing just what he wanted to do with it.

Pull is the third studio album by American rock band Winger. The album was released in 1993 by Atlantic Records…

BETTER DAYS COMIN' is the highly anticipated new album from WINGER! Brand new studio album from these classic hard rockers. Once again Winger offers an exciting mixture of the melodic and commercial approach of their first two albums with the more technical and almost progressive rock feel of such albums as "Pull" or "IV".

In celebration of their 35 years as a touring and recording act, multi-platinum artist Winger have announced the release of their seventh studio album, the aptly titled "Seven" on May 5th. The 12-track album, produced by vocalist/bassist Kip Winger and recorded in Nashville, TN, will be distributed worldwide by Frontiers Music Srl. It is the band’s first new album since their 2014 release "Better Days Comin’".
Winger is one of the only bands formed during the late '80s that still features all of their original members: Kip Winger, Reb Beach, Rod Morgenstein, and Paul Taylor. Guitarist John Roth was added in 1992. To support the new album, Winger will partake in extensive touring, beginning with a UK tour with Steel Panther in May followed by a U.S tour with the Tom Keifer Band in June. Additionally, the band will do a number of headline shows throughout the summer.

’’In the Heart of the Young’’ is the second album by American glam metal band Winger. It was released by Atlantic Records in 1990. Musically, In the Heart of the Young followed closely in the footsteps of the band's debut album. Once again produced by Beau Hill, the album features hook driven, progressive-tinged, radio friendly pop metal. There are, however, also some notable changes from the debut.

Edgar Varèse is regarded as one of the pioneers of New Music, and with good reason. His piece “Ionisation” was the first-ever composition written exclusively for percussion ensemble to be performed in a traditional concert hall setting; and he explored and searched intensely for sonic experiences. Varèse integrated first the world of sounds, then electronic instruments into traditional orchestras, thereby opening a door to a new awareness of listening. His work substantially influenced those generations of composers that came after him: a link between the beautiful, the exciting and the musically unfamiliar. The 2009 Salzburg Festival dedicated its “Kontinente” series to this brilliant New Music pioneer – and we are delighted to present these excellent recordings to you! (Col Legno)