Edgard Winger

Pull is the third studio album by American rock band Winger. The album was released in 1993 by Atlantic Records…

In celebration of their 35 years as a touring and recording act, multi-platinum artist Winger have announced the release of their seventh studio album, the aptly titled "Seven" on May 5th. The 12-track album, produced by vocalist/bassist Kip Winger and recorded in Nashville, TN, will be distributed worldwide by Frontiers Music Srl. It is the band’s first new album since their 2014 release "Better Days Comin’".
Winger is one of the only bands formed during the late '80s that still features all of their original members: Kip Winger, Reb Beach, Rod Morgenstein, and Paul Taylor. Guitarist John Roth was added in 1992. To support the new album, Winger will partake in extensive touring, beginning with a UK tour with Steel Panther in May followed by a U.S tour with the Tom Keifer Band in June. Additionally, the band will do a number of headline shows throughout the summer.

BETTER DAYS COMIN' is the highly anticipated new album from WINGER! Brand new studio album from these classic hard rockers. Once again Winger offers an exciting mixture of the melodic and commercial approach of their first two albums with the more technical and almost progressive rock feel of such albums as "Pull" or "IV".

’’In the Heart of the Young’’ is the second album by American glam metal band Winger. It was released by Atlantic Records in 1990. Musically, In the Heart of the Young followed closely in the footsteps of the band's debut album. Once again produced by Beau Hill, the album features hook driven, progressive-tinged, radio friendly pop metal. There are, however, also some notable changes from the debut.

More or less contemporary with Mozart, Grétry wrote more than fifty quintessentially Classical operas which enjoyed phenomenal success during his lifetime (this one was produced as far afield as New York in 1787). On the basis of this recording, made in 1974 in Brussels (Grétry was born in Liège but was dead by the time the state of Belgium was created, making him an honorary, if not actual, famous Belgian), it seems a shame that his work – or this comic reworking of ‘Beauty and the Beast’ at any rate – has latterly been overlooked. The music, brightly performed by the Belgian Radio and Television Chamber Orchestra, is attractively melodic, if hardly profound, and the drama affords fantastical possibilities for an imaginative producer: a table decked with food appearing from nowhere, a magic moving picture in which the heroine watches her family after she has left them; and the transformation of the monstrous hero into a handsome young man.