Eduard was the brother of Hermann (1802-1855) who, as a writer on music, had contact with Wagner, Goethe and Heine. The other brother, Albert, had a bookshop in Paris and kept company with Chopin, Charles Hallé and Stephen Heller. The E minor Violin Concerto was composed in Cologne to which Franck had moved at the request of Ferdinand Hiller. It was premiered by another Hiller invitee, Theodor Pixis. It is a work of streaming intensity deliciously prone to lyrical flights akin to the Mendelssohn concerto (in the same key) but without the ineffable surge of smiling quicksilver. The last movement recalls a village fiddler and rustic dance floors across the continent.
The link between Weber and Wagner, Marschner's Hans Heiling, was staged in the Aalto Music Theatre in February 2018. The production by Andreas Baesler received a mixed reaction, but the music was unanimously lauded by critics, above all the performance of Essen Philharmonic under the baton of Frank Beermann. The German Romantic opera in 3 acts is the composer's most successful opera, and brought the composer a considerable reputation. The story is based on a folk legend, and the opera's libretto was written by Eduard Devrient, who also sang the title role at the premiere at what is now the Berlin State Opera. In this production, Heiko Trinsinger performs the title role.
Progressive blues rock sounds evolved from their 60s flower-power roots to create the outstanding 1970 album by this Dutch combo formed in 1967 with members of Tee-Set.
Despite rumors some months ago that the RCOA series might be discontinued (fortunately unfounded), here we have Volume III, a 14-CD set that contains much of interest, but surely—for this collector—doesn't live up to its potential. For me, ideally that would concist of some of the outstanding performances of great symphonic music played by this magnificent orchestra, recorded in the extraordinary acoustics of the Concertgebouw with the usual Radio Nederland sonic expertise. During the decade represented in this set (1960-1970) the Concertgebouw Orchestra's programming often emphasized contemporary music and that surely is reflected in this album. We have well over five hours of music by Martin, Varèse, Berg, Webern, Henze, Lutoslawski, Nono and Dallapiccola as well as Dutch composers Ketting, Escher, and Vermeulen, and Polish composer Grazyna Bacewicz's Music for Strings, Trumpets and Percussion, an 18-minute three-movement work of imagination and vivid scoring.