Ehmalige Kavallerie

A collection of orchestral showpieces with captivating, sparkling sound conducted by Marriner, who is most familiar with how to make the Academy of St. Martin in the Fields sound brilliant. Flight of the Bumblebee, Dance of Time, William Tell Overture, and more. Recorded between 1982 and 1992.

A fascinating compendium of first thoughts, alternative versions and lost works: the fruits of Leslie Howard’s assiduous fossickings in the Lisztian workshop, and all believed to be first recordings. This is the fifth CD of 'new discoveries' (the third volume having contained two discs): these works were not available to be included in the Liszt boxed-set issued in 2011, and so this release constitutes a supplement to that edition.

Born on 15 April 1924 in Lincoln, Sir Neville Marriner studied at the Royal College of Music and the Paris Conservatoire. He began his career as a violinist, playing first in a string quartet and trio, then in the London Symphony Orchestra. It was during this period that he founded the Academy, with the aim of forming a top-class chamber ensemble from London’s finest players. Beginning as a group of friends who gathered to rehearse in Sir Neville’s front room, the Academy gave its first performance in its namesake church in 1959. The Academy now enjoys one of the largest discographies of any chamber orchestra worldwide, and its partnership with Sir Neville Marriner is the most recorded of any orchestra and conductor.

The amazing soprano Lucia Popp largely owes her success to her unforgettable roles in the grand German Romantic repertoire by Richard Strauus & Richard Wagner. She was also known to be a brilliant performer of lighter lyrical works, with which such composers as Franz Lehár, Johann Strauss or Carl Zeller triumphed at the Theater an der Wien or the Wiener Staatsoper, ultimately entertaining the Austrian high society to a great degree. This exquisite collection of Viennese bonbons is accompanied by Sir Neville Marriner, the Academy of St Martin in the Fields, with the Ambrosian Opera Chorus featured in choral excerpts from The Merry Widow, Giuditta or Casanova.