Electric Guitar Samples

Hungarian guitarist Elek Bacisk is a cousin of Django Reinhardt, and has continued his tradition of blending swing and gypsy elements into a coherent, expressive jazz mode.
On his first leadership album, The Electric Guitar of the Eclectic Elek Bacsik, later released as Jazz Guitarist, he was joined by two different bassists and drummers over the two recording sessions: on the first, he was backed by Pierre Michelot (bass) and Kenny Clarke (drums). On the second session, Bacsik recorded with Michel Gaudry (bass) and Daniel Humair (drums).

Charlie Christian - The Genius Of The Electric Guitar (1939-1941) {4CD Deluxe Set Columbia C4K 65564 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 836 Mb | MP3 @320 -> 674 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1939-41, 2002 Columbia / Legacy / Sony Music | C4K 65564
Jazz / Bop / Swing / Big Band / Guitar

First, a few myths get cleared up by the very existence of this box, which goes far beyond the original Columbia compilations with the same name. For starters, Columbia goes a long way to setting the record straight that Charlie Christian was not the first electric guitarist or the first jazz guitarist or the first electric guitarist in jazz. For another, they concentrate on only one thing here: documenting Christian's seminal tenure with Benny Goodman's various bands from 1939-1941. While in essence, that's all there really is, various dodgy compilations have been made advertising Christian playing with Lester Young or Lionel Hampton.

Charlie Christian's tragic death at the age of 23 is a firmly entrenched fact of jazz mythology. On The Genius of the Electric Guitar, which consists of various tracks recorded with the Benny Goodman Sextet and Orchestra, Christian's revolutionary guitar playing is clearly displayed. In keeping with the era, each of these 16 songs is relatively short, with each soloist allowed only a chorus or two to make their statements. Paucity of time troubles Christian and his compatriots not a whit, however, and they let loose with concise, swinging lines. Of the other soloists on display here, Lionel Hampton and Goodman himself play admirably, but Christian is in a different league altogether, his sophistication remarkable. Exhibit A: his solo in "Rose Room." Logically constructed and rhythmically varied, it is nevertheless eminently singable…

Once again working with producer/songwriter Tom Hambridge – the bluesman's main collaborator since 2008's Skin Deep – Buddy Guy serves up a straight-ahead platter with Born to Play Guitar, his 28th studio album. Many of Guy's latter-day records loosely follow a theme, but Born to Play Guitar is pretty direct: just a collection of songs designed to showcase Buddy's oversized Stratocaster. Which isn't to say there's either a lack of variety or pro forma songwriting here. Hambridge cleverly colors Born to Play Guitar with a few bold, unexpected flourishes: the sweeps of sweet strings that accentuate "(Baby) You've Got What It Takes," a duet with Joss Stone that lightly recalls Etta James' Chess Records work; the big, blaring horns of "Thick Like Mississippi Mud" that moves that track out of the Delta and into an urban setting; the acoustic "Come Back Muddy" which performs that trick in reverse, pushing Chicago blues back down south.