Electronic Princpiples

Electronic tango is causing an authentic revolution in the global music scene. Popular throughout the world, these discs are a must buy for the thousands of tourists who travel through Buenos Aires and other corners of the country where local aficionados are rediscovering their beloved music with a whole new sound. For those who have not yet visited Argentina, it is the latest in exotic electronic music and its status as ''hard to find'' makes it all the more desirable. The electronic tango rage has moved a number of artists to undertake new productions of true artistic value. In the midst of all this hype, Buenos Aires/Paris is the most important album of the genre, the defining double disc anthology with material from top musicians who have provided their best known tracks…

"A diverse sampler of electronica and psychedelica. Very impressive, none of the songs repeat themselves. This album is for the imaginative to give them fodder to let their minds and spirits escape (for a little while) the world of commercial radio and the madness of the "American Top Forty" world of sameness and numbing monotany."

Delia Derbyshire’s incredible 1969 library record 'Electronic', written under the Li De La Russe and Nikki St. George pseudonyms along with a few collaboration/contributions by her BBC radiophonic workshop colleagues, David Vorhaus and Brain Hodgson, who were collectively known as Kaleidophon. The material here tends towards Delia's minimal and best work, carefully detailed sketches full of sci-fi feels and abstract scapes, each with their own apt description in the liner notes, and including among them highlights such as the proto-Ø styles of Restless Delays and the sublime series of Delia-suffixed reveries, waltzes and ideas, plus Vorhaus’s brilliantly titled and tripped out Snide Rhythms, including material that eventually surfaced on The Tomorrow People.

This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘A near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

Johnny Marr and Bernard Sumner have a unique musical companionship. Both artists bred the '80s British music scene into pop candy delight thanks to Marr's charming guitar hooks while fronting the Smiths, and Sumner, whose ingenuous lyrical poetry pushed New Order's dance-oriented sound into the new wave mainstream. But since their musical collaboration began back in 1991, the duo continues to make music for themselves, uninhibited by current norms and marketing success. Twisted Tenderness, the band's third album, is certainly a vast improvement over their sophomore effort, 1996's Raise the Pressure. Twisted Tenderness steps back into Marr's talented guitar work: carefree, a bit rollicking at times, but in classic Electronic fashion. The obvious rock-laden riffs carry the typical synth-generated backdrops, and Sumner's cheeky lyrics are stylish and breezy.

One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.