Elezabeth Day

The Green Day Collection encompasses 9 studio albums from the punk rock band Green Day, including: Dookie, Insomniac, Nimrod, Warning, American Idiot, 21st Century Breakdown, ¡Uno!, ¡Dos!, and ¡Tré!.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.

Doris Day packed four careers into one lifetime, two each in music and movies. The pity is that all most people remember are her movies, from Teacher's Pet (1957) onward, as the quintessential all-American girl, cast opposite such icons of masculinity as Clark Gable and Rock Hudson. She also transposed this following to television at the end of the '60s with a situation comedy that lasted into the early '70s. If most people remember her as a singer, it's usually for such pop hits as "Secret Love" and her Oscar-winning "Que Sera, Sera (Whatever Will Be, Will Be)," which became her signature tune. But before all of that, from 1939 until the end of the '40s, Doris Day was one of the hottest, sultriest swing-band vocalists in music.

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

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In Leadville, Colorado, Captain Rhodes and his army seals off the town to contain an influenza-type epidemic. The locals are not allowed to leave the town and the Pine Valley Medical Center is crowded with sick people. Corporal Sarah Bowman was born and raised in Leadville and goes to her home with Private Bud Crain to visit her mother. Sarah finds that her mother is ill and takes her to the local hospital. However, the sick people suddenly transform in flesh eating, fast moving zombies which attack the non-infected humans. Sarah, Bud and Private Salazar get a jeep and head to the town exit to escape from the dead. But Sarah hears the voice of her brother, Trevor, on the radio and is compelled to go to the radio station where Trevor is hidden with his girlfriend Nina. The group of survivors drives to the isolated Nike factory seeking shelter, where they discover an underground army base.

The events of D-Day, told on a grand scale from both the Allied and German points of view.

Born in Cicinnati (Ohio) on April 3, 1922 and died in Carmel (California) on May 13, 2019, Doris Mary Ann von Kappelhoff called Doris Day was destined for a career as a dancer when an accident caused her to give up this project. It was for the song that she opted and made her debut in Les Brown's orchestra, before continuing solo.

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