Elisa Tovati le Bleu Des Regrets

Une fois de plus la magie opère en écoutant la voix singulière de Monsieur de Sainte-Colombe. Ne craignant ni l’expression ni un vibrato souvent large, mais non systématique et utilisé comme un ornement, Susie Napper et Margaret Little proposent une sélection de pièces tirées de leur enregistrement intégral, réalisé à Québec en 2003 et 2004, des Concerts à deux violes esgales. Le changé, Le tendre, L'attentif, Le Tombeau des regrets, L'estourdy sont autant de paysages de l’âme.

Released 90 years after he was born and 30 years after his death, Inégrale / Le Temps Ne Fait Rien À L'Affaire is a comprehensive 19-disc collection that contains everything any hardened George Brassens fan could possibly want. Featuring a colossal 330 remastered tracks, the unique box set includes 14 original studio albums, a compilation of live performances, and two discs' worth of previously unpublished rarities and demos alongside posthumous material recorded with the help of Jean Bertola.

After having successfully celebrated its 10th anniversary in the biggest halls of France, the AGE TENDRE tour returns to all the biggest halls of France with a new and even more festive show.

An orchestra with Reinessance/Baroque period instruments conducted by the Catalan maestro and viola da gamba virtuoso Jordi Savall, performs works of F.Couperin, G.P.Telemann, J.P.Rameau, C.P.E.Bach, J-M.Leclair, J.B.Lully, at 9th Festival de Musique et Histoire pour un Dialogue Interculture, a l'Abbaye de Fontfroide Narbonne 2014.

Le temps des lilas is an ode to Romanticism, a love song and a nostalgic reflection on the bittersweet beauty of lost happiness. Dedicated to the music of Ernest Chausson, this album oscillates between passion and melancholy, wonder and nostalgia. The Concert Op. 21, a masterly work on the borderline between chamber music and orchestra, is carried by Pierre Fouchenneret's magnetic violin and David Violi's colorful piano. I Giardini also deliver a previously unpublished version of Poeme Op. 25, reworked for violin, piano and string quartet. The album closes with Pauline Buet's equally sensitive retelling of Chausson and Barbara's 'Temps des/du lilas', using cello in the former and singing voice in the latter. Barbara's song and Chausson's melody stand as a simple, timeless tribute to the magic of past moments and the fragility of human existence. Le temps des lilas is I Giardini's first full-length album for PENTATONE, following an already rich discography: Nuits (which has been awarded the prestigious Diapason d'Or), Bleu, Shaw and Faure, an EP released with PENTATONE in 2024.

Born in Ile de France in 1974 He began his artistic career by composing music for himself and for others: Empati , Mister He Slam Chrysdoll … He creates music for theater , "The History of Bear pandas " where he worked for Salome Lellouch . He became interested in directing, and producing 6 clips between 2010 and 2012 ( Face-to- Face, Haiti my dear friend , you are so you live, 3:20 p.m. , Hope Tomorrow Scottish Band) , 11 clips in 2013 ( Sea Bird, Thus Spoke … Rescue Me Ride in the City, Leaping Heart , Fast Food My Friends, Funky Time , A day will come , Battle Against The Fear , Heart Clock , I have a dream that one day).

‘Judith triumphant over the barbarians of Holofernes’ is the only survivor of the four oratorios that Vivaldi is known to have composed. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu. All characters, male and female, are interpreted by women (originally the singers of the Ospedale della Pietà in Venice). Although the rest of the oratorio survives completely intact, the overture has been lost and Jordi Savall has selected two existing concertos as introduction, of which the key, mode and no doubt date of composition coincide most closely with the subject of the oratorio.

Le Retour des Dieux sur la Terre and Le Caprice d'Erato are part of the tradition inherited from Louis XIV of occasional pieces that served to illustrate major events at Court: Composed four years apart, the first to celebrate the wedding of Louis XV and Marie Leszczynska in 1725 and the second for the birth of their first son in 1729, these two divertissements are veritable little concert operas in which splendid grand narratives, triumphal overtures, surprising dances, solemn choruses and grandiose finales follow one another.Alexis Kossenko invites us here to savour the delights of these musical evenings, which gradually spread to all the salons of the 18th century, and where everything seems to invite us to celebrate!

Alex Vizorek revisits Saint-Saëns’s Carnival of the Animals. The French composer never imagined that his bestiary would become one of the most famous works in musical history, a staple repertory piece on a par with Prokofiev’s Peter and the Wolf. The Belgian comedian and actor has rewritten the text of this "grand zoological fantasy", which he narrates here alongside Duo Jatekok and the Orchestre National de Lille under the direction of Lucie Leguay.