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Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Leaving Songs by Tindersticks frontman Stuart Staples is his second solo album; his first, Lucky Dog Recordings 03-04, wasn't released in the States until now, as it is included here, thankfully, as a bonus disc. Leaving Songs is a true departure for Staples. The vocals and backing tracks were recorded in Nashville by Mark Nevers with the overdubs recorded back at Lucky Dog in the U.K. After the first lines of "Goodbye to Old Friends," the opening cut, it's obvious that this record is different, in its way, from what Staples has done before, either with or without his band; the tempo, horn lines, the chorus of female backing vocalists.

A CERTAIN RATIO are back with a new album, ACR Loco. Revitalized by their most successful tour in over two decades, the band returned to the studio to record their first album in 12 years – due for release September 25 on Mute.

This DAF overview from Mute's Grey Area pulls from Alles Ist Gut, Gold und Liebe, and Für Immer, the three Conny Planck-produced albums Robert Görl and Gabi Delgado released on Virgin during 1981 and 1982. It's even-handed in its selections, with six tracks off Gold und Liebe and seven each from the other two. Virtually all the highlights are here, and almost all of them dish out the impossibly clenched, bruising rhythms and barked vocals DAF perfected during this phase. The slower, sleazier, and even more sinister material ("Im Dschungel der Liebe," "Prinzessin") is also well represented. Naturally, this is the best dose of early electronic body music short of Mute's fine 1998 album reissues.

The term ‘brunette’ refers not only to a young woman with brown hair, but also to a musical form that was highly fashionable from the late seventeenth century to the early eighteenth. The genre evolved from the air de cour, extremely popular in France since the beginning of the seventeenth century. The compositional process, however, remained very similar: to write a short, tender song, dealing with themes of love or nature, which could be sung alone or accompanied by a harmonic instrument. The late seventeenth century also saw the appearance of an instrument that soon became a favourite of composers and amateur musicians: the German flute, now called the traverso or Baroque flute.

Not a Good Sign is a project by AltrOck and some bands’ members of the label. Marcello Marinone, Paolo «Ske» Botta and Francesco Zago, after a successful collaboration in Yugen and Ske, propose a new blend of their musical attitudes. The result is an ominous, fascinating sound melting vintage keyboards, powerful guitars and voice, besides ethereal and autumn nuances, supported by a compelling rhythmic drive. The band takes their name from one of their own songs but the expression also alludes to their take on the present economic climate across the globe, a situation that in turn mirrors the dark mood on the debut album. At the forefront of their sound is a wide array of vintage keyboards that includes Hammond organ and Rhodes and Wurlitzer pianos…

The Headless Children is the fourth studio album by heavy metal band W.A.S.P., released in April 1989 through Capitol Records. The Headless Children showcases a new level of maturity from the band compared to their previous three albums, which had stereotypically lewd "rock and roll" lyrics. Politics and social issues are now a theme throughout the album. The Headless Children was the first W.A.S.P. album to feature ex-Quiet Riot drummer Frankie Banali and the last studio album to feature guitarist Chris Holmes for nearly a decade until he rejoined the band in late 1997 to record Kill Fuck Die.