Elvis Presley Japan

RCA and the Elvis estate made no bones about their intention on replicating the blockbuster success of the Beatles' The Beatles 1 with their own single-disc collection of number one hits – hence, the 2002 release of Elvis: 30 #1 Hits. The idea of collecting all the number one hits is simple enough, but there are problems inherent with the concept, not the least of which is that RCA did this once before. Unlike the Beatles, who went through numerous changes in just seven years of recording, Elvis had nearly three times as many years' worth of material and hits to choose from. Also, he hit on a number of different charts – not just pop, but also R&B, country, and adult contemporary.

Number One Hits contains 18 #1 records from the charts of Billboard, who somehow didn't rank "Crying in the Chapel," "In the Ghetto," "Burning Love," and "Way Down" as chart-toppers, although other national surveys did. In fact, according to RCA, every copy of "Way Down" was sold out within days after Presley's death, not just here but all over the planet, and somehow, amazingly, it didn't even make the magazine's Top Ten!

The Top Ten Hits is exactly what it says it is – every Top Ten hit that Elvis Presley ever had during the course of his career, from "Heartbreak Hotel" in 1956 to "Burning Love" in 1972. Even though this double-disc set covers a lot of ground, there's a huge amount of terrific material that isn't included on the compilation…

The first live album compiled from various performances on Frank Zappa's 1988 world tour (his final outing), Broadway the Hard Way is composed mostly of new, vocal-oriented material. The tone throughout is highly political, with Zappa taking potshots at such targets as Elvis Presley, Michael Jackson, Richard Nixon, Ronald Reagan, Pat Robertson and other televangelists, Jesse Jackson, C. Everett Koop, and so on…

Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy, Elton John re-emerged with a new band and a slightly modified sound. However, the departure of bassist Dee Murray and drummer Nigel Olsson began a deceleration in terms of John's success, which rivalled only the Beatles' and Elvis Presley's in terms of global acclaim…

Fleetwood Mac was still primarily a blues band on this, their first album after the departure of founder/nominal leader Peter Green. But the remaining members, Mick Fleetwood, John McVie, Jeremy Spencer, and Danny Kirwan (plus McVie's wife, Christine, not yet officially part of the group) started broadening the band's use of blues into other contexts, and adding new influences in the absence of Green's laser-like focus…

Cheap Trick's comeback album is by no means a return to the creativity and vitality of their glory days. But even though Lap of Luxury is largely formulaic, the band's strongest collection of material in some time fills that late-'80s pop-metal formula quite well. Combining grandly romantic power ballads ("Ghost Town") with catchy hard rockers ("Never Had a Lot to Lose"), Lap of Luxury consistently delivers strong hooks and well-crafted songs, proving that Cheap Trick were still capable of outdoing many of the bands they helped inspire. The album produced two Top Five singles in a cover of Elvis Presley's "Don't Be Cruel" and the band's first number one hit, "The Flame."

It's hard to overestimate the importance of The Freewheelin' Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. At the time, folk had been quite popular on college campuses and bohemian circles, making headway onto the pop charts in diluted form, and while there certainly were a number of gifted songwriters, nobody had transcended the scene as Dylan did with this record…