Upon its release, the 1973 LP Brain Salad Surgery had been hailed as Emerson, Lake & Palmer's masterpiece. A long tour ensued that left the trio flushed and begging for time off. Before disbanding for three years, they assembled a three-LP live set (something of a badge of achievement at the time, earned by Yes in 1973 with Yessongs and, somewhat more dubiously, Leon Russell with Leon Live)…
Emerson, Lake and Palmer in Concert is a live album by Emerson, Lake & Palmer (ELP), recorded at 26 August 1977 show at the Olympic Stadium, Montreal, which is featured on the album cover. It was released by Atlantic Records in November 1979, following ELP's breakup…
New title in the excellent value "Booksets" range. These are limited edition, multi-CD sets packaged in DVD sized Ecol-books, containing the contents of rare, expensive & hitherto unavailable box sets. Finally, EL&P has a retrospective to match the band's music. 5 CDs, basically chronologically arranged. The set includes unheard mixes and an excellent unreleased 'Tarkas'-era track that would have benefitted that album greatly. After a raft of chances missed where presenting the 'band that never ends' were concerned, the record label has, as this review's title says, at last made up for it all. Anyone hearing these CDs will be unable to laugh at the band or take them lightly. Emerson, Lake and Palmer truly were the greatest progressive act on earth. And, now, here's the proof.
Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here…
In 1977, after three years' time off working on various solo projects – which were to have culminated with a trio of solo albums – Emerson, Lake & Palmer reunited to release Works, Vol. 1, a double LP containing the best of the solo works plus a side of group-conceived pieces. All in all, it was the most ambitious and wide-ranging body of music they'd ever released, and was followed by the more modestly proportioned but still successful Works, Vol. 2 in November of that year, and a tour that fall and winter; in keeping with the albums that spawned it, the concerts initially featured a 90-piece orchestra supporting the trio…
Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here…
Culled from concerts in Chile, Brazil and Argentina in 1993 and 1997, ELP Live in South America is an essential collection to the catalog of this progressive rock supergroup. Features versions of their hits from their forty five year career including Lucky Man, From The Beginning, Hoedown, Knife Edge and Pictures at an Exhibition…
Shout! Factory's Essential Emerson, Lake & Palmer retrospective features 28 remastered tracks from the seminal progressive rock trio's '70s heydays. The collection, which was overseen by the band itself, features all of the usual suspects like "Lucky Man," "Still…You Turn Me On" and "Karn Evil 9: 1st Impression, Part 2," as well as deeper cuts such as "Bitches Crystal" and "Medley: Jeremy Bender/The Sheriff," the latter of which is presented live…