Emilie Marsh à Même la Nuit

Pour la première fois en près de soixante ans de carrière, Johnny Hallyday confie ses classiques à une quinzaine d’artistes. Réalisé sous la houlette de Yarol Poupaud, son directeur musical et guitariste, cet album ne fait que confirmer l’immense popularité de Johnny. Ce projet fédérateur réunit des artistes de différents horizons s’appropriant les incontournables de la légende française du Rock : Kendji Girac laisse parler sa puissance vocale sur 'L’Envie', Florent Pagny a choisi 'Requiem pour un fou', Louane surprend et séduit avec 'La musique que j’aime', Patrick Bruel rend hommage à 'J’ai oublié de vivre', Benjamin Biolay apporte sa touche personnelle à 'Retiens la nuit', et 'Ma gueule' s’impose comme une évidence pour Garou. Et les dix autres interprètes ne sont pas en reste pour faire vibrer à leur manière le répertoire exceptionnel de Johnny.

The 18th century was a time when deportment and noble behavior were essential for people of quality. Dance formed a major part of all social ceremonies and theatrical presentations. Nowhere was dancing more highly regarded than in France, where ballets de cour assumed great importance, and the Lullian tragedie en musique had its counterpart in the ballet en action of the opera-ballet. The Fantaisie (1729) and Plaisirs champetres (1734) of Jean-Fiery Rebel, reflecting the differing personalities of their prima ballerinas Camargo and Salle, have been called choreographic symphonies.

After 3 years of concert through Europe, the former « Quintet à Claques » has the pleasure to share the stage with Florian and his drums since 2009. Henceforth Sextet, we hope that you will appreciate the new band as much as we do! ~ sextetaclaques

La finta giardiniera ("The Pretend Garden-Girl"), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on January 13 at the Salvatortheater in Munich. There is debate over the authorship of the libretto; the current belief is that it was written by Giuseppe Petrosellini. In 1780 Mozart converted the opera into a German Singspiel called Die Gärtnerin aus Liebe (also Die verstellte Gärtnerin), which involved rewriting some of the music. Until a copy of the complete Italian version was found in the 1970s, the German translation was the only known complete score.

Album released in Spain compilation of 12 songs anthology of flamenco rumba and originally recorded in analog between 1957 and 1972. Rumba is a style that has been able to incorporate a large number of mergers and mystification, from the flowering of the so-called Catalan rumba, disco rumba, pop rumba, etc., which has allowed it to maintain its popularity today. But in earlier times the rumba was born and lived with another character, most located in the flamenco environment and 'tablados'. The selection here shows some of those recorded earlier, also on topics outside the popular flamenco singers voices today as historical as missing or Gypsy Prince, Chano Lobato, Rafael Farina or Peret.

This is the Second Volume of The Complete Edition of The Works for Solo Harpsichord recorded by Trevor Pinnock.
Pinnock chose a mellow instrument here, making his stylish, crisply rhythmic performances even more attractive. Excellent recording.

Antonio Vivaldi - Sonata a tre 'La Follia'
Ensemble 415 / Chiara Banchini
EAC+LOG+CUE | WV: 367 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMG 501366 | Country/Year: France 2008, 1991
Genre: Classical | Style: Baroque

"Ensemble 415 is a chamber ensemble devoted largely to the performance of Baroque music on period instruments. The numerical reference in the group's name derives from the pitch used for tuning instruments in the Baroque era. In performing chamber music, Ensemble 415 consists of just a few players, but for larger compositions, the number expands to a minimum of 13 and can reach up to as high as 40 performers. The ensemble's repertory has been broad over the years, taking in many Baroque standards by J.S. Bach, Vivaldi, and Handel, as well as lesser known fare by Muffat and others…"