Simon is a successful businessman with a loving family and a large circle of friends whose world falls apart when he is diagnosed with an aggressive form of motor neurone disease and given two years to live. Within weeks of the diagnosis, the disease causes Simon to lose the use of his voice. Faced with the prospect of a rapid physical decline, Simon tells his family that he is considering ending his life at a Swiss suicide clinic. Filmed and directed by award-winning filmmaker Rowan Deacon, and made in partnership with the Open University, this intimate and deeply moving film follows Simon and his family and friends as they grapple with the huge moral, emotional and legal dilemmas around Simon's choice.
In this surrealistic movie from the director of My 20th Century, the French police seek help from Simon, a visionary living in Budapest to solve a murder case. Whilst in Paris, Simon falls in love with Jeanne, although they do not speak each other's language. When Jeanne leaves for a couple of days, Peter, another visionary, calls Simon for a duel: They both have to spend three days buried alive. Will Simon ever meet his love again?
[…] a series of seven programs that Sir Simon Rattle made for television in the 1990s. Leaving Home is an historical journey through the radical changes in music that coincided with the tremendous social, technological and political upheaval that was the twentieth century. Artfully scripted, and with excellent musical examples, these fifty-minute programs integrate history (by means of some nicely chosen archival film footage), lecture (with Sir Simon speaking and illustrating from the keyboard) and performance, (with Sir Simon on the podium.)
Kevin Sutton
[…] a series of seven programs that Sir Simon Rattle made for television in the 1990s. Leaving Home is an historical journey through the radical changes in music that coincided with the tremendous social, technological and political upheaval that was the twentieth century. Artfully scripted, and with excellent musical examples, these fifty-minute programs integrate history (by means of some nicely chosen archival film footage), lecture (with Sir Simon speaking and illustrating from the keyboard) and performance, (with Sir Simon on the podium.)
Kevin Sutton
