JUNO-nominated Canadian jazz quartet, Peripheral Vision launches their fourth album, More Songs About Error And Shame. "A rules-breaking quartet made up of some of the best modern players around" (CBC), Peripheral Vision extends their no-holds-barred performance aesthetic into the production concept on this album. Once again, they have teamed up with mad-scientist engineer, Jean Martin (Barnyard Records) to orchestrate a bigger sound for the record, adding layers of overdubs and studio treatments to the live-off-the-floor recordings. Peripheral Vision has always been a live show band, and the seven new Herring and Scott originals on More Songs About Error And Shame show what can be gained from years of touring, including three recent tours throughout Europe as well as many trips across Canada.
The album features two string quartets which thematically deal with the subject of death. Schubert’s Death and the Maiden, No. 14 in D Minor, a key piece in chamber music repertoire, dates from 1824. Mendelssohn’s String Quartet No. 6 in F Minor, Op. 80 was composed in 1847. He composed the piece as an homage to his beloved sister Fanny who had died on 17 May 1847 and it bore the title "Requiem for Fanny". vision string quartet have won awards in numerous competitions, have studied with members of the Artemis Quartet and the Alban Berg Quartet. They are known for their excellent interpretations AND for their innovative concert formats, working with choreographers, light designers, etc.
Morrison's best album of the '90s still casually hangs out in the spiritual world that served as his home for most of his '80s material, but the mystical touches are at least kept in check for a good deal of the time. Better still is that Morrison sings with a passion that had crawled into laziness during big, and crucial, chunks of his career (most prominently the early to mid-'80s). The songs, or more accurately (as the title makes very clear) hymns, combine the elements that have guided Morrison's best albums – R&B, folk, pop, Celtic, rock, even gospel – for a satisfying journey through the mystic and the real…
A Dark Murmuration of Words contends with a modern era built on racial and gender inequality, poverty and slavery, environmental exploitation and the climate crisis, finding them all connected by the dark shadow of patriarchy, pursuits of power, and the suppression of history. Referencing Emily Dickinson’s assertion that “If you take care of the small things, the big things take care of themselves,” Barker draws connections between the familial, the local, and the global: a mother sings to her unborn child, asking for its forgiveness on Strange Weather, Where Have The Sparrows Gone? looks outside an apartment window and imagines a post-apocalyptic birdless London, and a monument to a Confederate general comes alive for a “how-I-got-away-with-it” confession on Machine. Throughout A Dark Murmuration of Words, all of our choices, our unspoken prejudices, our carelessness, connect us to the whole, but becoming aware and honest on a local, personal scale, can begin to effect change, allow for healing, and tease out beauty from chaos.
Recorded live at Brunel Goods Shed, 15 November 2020. Filmed and broadcast as a livestream by Northern Cowboys, the event brought together the full band that recorded the album A Dark Murmuration of Words in the absence of live touring during the Covid lockdown.