EMMA DAUMAS a pris les « Larmes de crocodiles » comme prétexte pour délivrer aux enfants des petits messages d'amour et d'espoir à travers des personnages attachants et malicieux. Composées et réalisées avec Mathias Miramon, ces fables modernes sont interprétées, outre Emma Daumas, par Gérard Darmon, Alain Chamfort, Elodie Frégé, Marcel Amont et Caroline Loeb.
American expatriate Joe Dassin was one of France's most popular singers during the late '60s and '70s, initially building his name with stylized adaptations of folk and country material from his birthplace…
The French pianist Marcelle Meyer made these recordings of music by Francois Couperin, Rameau, Domenico Scarlatti and Rossini in Paris between 1946 and 1955. Celebrated for her performances of French piano music, notably perhaps that of Chabrier, Debussy and Ravel, Meyer was none the less a zealous champion of the eighteenth-century harpsichordists. Bach's keyboard music played an important part in her daily studies and, together with Couperin, Rameau and Scarlatti, occupied a significant place in her public recital programmes.
On this piano recital, pianist David Kadouch explores the Les musiques de Madame Bovary. "The relationship between music and literature has always stimulated me. The memories and images that one can have of a narrative can inhabit and magnify the notes of a composer. I wanted to imagine the music that Emma Bovary might have listened to during her short life, evoking the often-forgotten women composers of Flaubert's time. With this question hanging in the air: could Emma Bovary's fate, her suicide, have been avoided, if these female creators had had the notoriety they deserved?"
Cette nouvelle intégrale retrace la fructueuse carrière de Dalida. Elle reprend sa discographie française originale depuis les tout premiers enregistrements de 1956 jusqu'aux derniers grands succès parus en 1987, sans oublier des titres live, moments forts de l'artiste sur scène. Et pour la première fois, elle offre des interviews rares où la voix de Dalida nous parvient sincère et touchante. L'intégrale "Les Diamants Sont Eternels" est présentée dans un luxueux écrin.
If you asked a music-lover in Haydn or Mozart's time about the works of Bach, you would have been referring to CPE, and not his dad, the great JS, whose reputation was merely that of a great organist and sometime composer of "historical" music. Not only was CPE universally admired in his lifetime, he also wrote the definitive treatise on contemporary keyboard technique (it's still in use today), collected fine art, and left a superb body of music to future generations. The symphonies are really exciting pieces full of unpredictable turns of phrase and a genuinely passionate emotional expression. These excellent performances make the best possible case for them.