Handel: Operatic Arias sees soprano Emma Bell perform with the Scottish Chamber Orchestra, directed from the harpsichord by Richard Egarr, in her second recital disc for Linn. Originally released in 2005 Handel: Operatic Arias has been re-issued as part of Linns ECHO series which offers a second chance to enjoy the best of the labels award-winning catalogue. Emma Bell rose to fame when she took over the title role in Handel's Rodelinda at five hours' notice for Glyndebourne on Tour in 1998 while still a student at the London Opera Centre; Bells delivery of that heart-piercing aria, Se'l mio duol, a highlight of her performance, is included here.
The Golden Age of Music & Theatre: The times of William Shakespeare (1564–1616) offered much more than great theatre. Those were years when music flourished, a time of saucy street ballads, of melancholy lute-songs and madrigals. Great artists of the early music scene convey us into this seemingly distant world and bring it to life…
Pour son 3ème album, le chemin de la maison, Emma Daumas a choisi d'écrire son histoire et de s'impliquer comme jamais. En plus de s'être remise à l'écriture et la composition pour préparer les 12 titres de ce nouvel opus, Emma s'est entourée d'intervenants de qualité : Marcel Kanche (auteur pour Bashung, M, Vanessa Paradis) qui lui a écrit la ballade douce amère "Neverland", Peter Von Poehl (ex-guitariste d'AS Dragon et producteur du dernier Vincent Delerm) pour la composition de "Lipstick et Rimmel" ou encore Mickaël Furnon (leader de Mickey 3D devenu Mick est tout seul) : au-delà de l'écriture, ce fût une vraie rencontre entre les deux artistes.
This 12CD collection brings together Emma Kirkby’s complete L'Oiseau-Lyre recitals in a single set. The world’s most popular period-instrument soprano, Kirkby’s pure, crystalline sound defined how vocal music of the baroque and earlier eras should sound for a whole generation or more. Accompanied in the main by Anthony Rooley, the set features works by Purcell, Handel, Bach and Mozart as well as rarely recorded works by Edwards, Campion, Dowland, Morley, Ferrabosco and many more.
If the court of Elizabeth I could be compared to a bee-hive, John Dowland was one of its workers, tirelessly bringing in news from the Continent which he constantly visited, and as tirelessly producing the spiritual sustenance vital for the court's existence. It is this honey that Emma Kirkby and Anthony Rooley have gathered in an imaginative recital that focuses on Dowland's relationship to his various patrons – among them Elizabeth I and the Earl of Essex.
A note of caution first to the unobservant purchaser who picks up this CD, believing, in glee, that he has stumbled across a premiere recording of Alessandro Scarlatti's Dixit Dominus, newly come to light - or, if not, possibly by his son, Domenico, usually better known for his keyboard music. These works, indeed premiere recordings, are in fact by Domenico's uncle and Alessandro's younger brother, Francesco.