Emmilou All The Roadrunning

This lush and earthy collaboration between Mark Knopfler and Emmylou Harris may sound like it rose from an amiable weeklong studio session, but the 12 tracks that make up All the Roadrunning were actually recorded over the span of seven years. The boot-stomping "Red Staggerwing" and the gentle "Donkey Town," both of which were bumped from Knopfler's Sailing to Philadelphia record, give the ex-Dire Straits leader a chance to flex his country muscle, while the wistful title track spotlights the lovely Harris, whose playful demeanor and guarded confidence helps keep Knopfler in check during his sometimes excessive soloing. The two couldn't be more at odds vocally, but Knopfler's laconic drawl is like an easy chair for Harris' fluid pipes, and standout tracks like the 9/11-inspired "This Is Goodbye," the wistful "Beachcombing," and the infectious single "This Is Us" come off as effortless statements of vitality from both camps.

This lush and earthy collaboration between Mark Knopfler and Emmylou Harris may sound like it rose from an amiable weeklong studio session, but the 12 tracks that make up All the Roadrunning were actually recorded over the span of seven years. The boot-stomping "Red Staggerwing" and the gentle "Donkey Town," both of which were bumped from Knopfler's Sailing to Philadelphia record, give the ex-Dire Straits leader a chance to flex his country muscle, while the wistful title track spotlights the lovely Harris, whose playful demeanor and guarded confidence helps keep Knopfler in check during his sometimes excessive soloing. The two couldn't be more at odds vocally, but Knopfler's laconic drawl is like an easy chair for Harris' fluid pipes, and standout tracks like the 9/11-inspired "This Is Goodbye," the wistful "Beachcombing," and the infectious single "This Is Us" come off as effortless statements of vitality from both camps.

Just at the moment Mott the Hoople were calling it a day, David Bowie swooped in and convinced them to stick around. Bowie spearheaded an image makeover, urging them to glam themselves up. He gave them a surefire hit with "All the Young Dudes," had them cover his idol's "Sweet Jane," and produced All the Young Dudes, the album that was designed to make them stars. Lo and behold, it did, which is as much a testament to Bowie's popularity as it is to his studio skill. Not to discount his assistance, since his production results in one of the most satisfying glam records and the title track is one of the all-time great rock songs, but the album wouldn't have worked if Mott hadn't already found its voice on Brain Capers.

This is where fans of the group can sort of stop and settle down at last. MCA Records had previously let the Mamas & the Papas' music out on CD in a trickle; the debut LP was upgraded and a compilation of remastered hits showed later in the decade, but the rest was left to languish. This two-CD set makes up for that neglect, assembling all four of the quartet's '60s albums on two CDs and augmenting them with the mono single versions of "I Saw Her Again," "Words of Love," and "Creeque Alley," plus the non-LP single "Glad to Be Unhappy." One just wants to luxuriate in the sound of this reissue and its little details, like the rhythm guitar on "Do You Want to Dance" that cuts right through the air, the string basses on "Go Where You Want to Go" that sound like they're just across the room, and the rest of the first album.

2008 collection from the '60s Pop/Rock quintet, their only official 'hits' compilation available on the market for over a decade. Before the Rolling Stones, the Dave Clark Five were seen as being the Beatles most serious rivals. With their hit 'Glad All Over' knocking 'I Want to Hold Your Hand' off the number one spot. DC5's own unique brand of music sold in excess of 100 million records. They were the first English group to tour the United States, spearheading the British Invasion. During their first two years in the U.S., they scored no less than fifteen consecutive Top 20 hits, more than anyone except the Beatles. They took the world by storm and helped change the Rock scene, blasting hit after hit over the world's radio airwaves.

Among the most sampled groups of the '60s and '70s by a slew of top rap and hip-hop artists of the '90s and beyond, the legendary New Orleans band and Grammy Lifetime Achievement awardees The Meters created an instantly recognizable sound through almost a decade of recording, initially for the Josie label and then for Reprise and Warner Brothers. Group members guitarist Leo Nocentelli, bassist George Porter Jr., drummer Joseph 'Zigaboo' Modeliste and keyboardist/singer Art Neville formed the core of the band, later augmented by Art's younger brother, percussionist/singer Cyril who joined The Meters in 1975. This wonderful 116-track, 6-CD SoulMusic Records' box set showcases The Meters' entire recorded output for Josie Records (1968-1971), Reprise and Warner Brothers (1972-77). In addition to their eight full albums, this luxurious package (with a 40-page booklet) includes non-album singles, bonus material, single edits and a rare 1977 disco mix of 'Disco Is The Thing Today', available for the first time on CD.

Since One for All were first organized in 1997, the all-star sextet has had a solid core with tenor saxophonist Eric Alexander, drummer Joe Farnsworth, and trumpeter Jim Rotondi, though trombonist Steve Davis and pianist David Hazeltine have appeared on most of the band's CDs. This 2001 session mixes standards, timeless jazz compositions, and solid originals by individual bandmembers. It's hard for any band to compare to the famous version of Oliver Nelson's "Stolen Moments" (which featured Bill Evans, Eric Dolphy, and Freddie Hubbard in addition to its composer), though One for All's interpretation is full of potent solos that aren't derivative of the landmark recording. The bold brass and reed harmonies round out a tight, fresh arrangement of Hoagy Carmichael's "Skylark," while the driving chart of "Street of Dreams" showcases Alexander well…

While not nearly as cutting-edge as its predecessor, All The Wars still provides a remarkably alluring collection of alt-rock songs…