Enescu Lintu

Truls Mork, Tampere PO, Hannu Lintu - Enescu: Symphonie Concertante & No. 1 (2015/2016) [DSD128 + Hi-Res FLAC]

Truls Mørk, Tampere PO, Hannu Lintu - Enescu: Symphonie Concertante & No. 1 (2015/2016)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 53:56 minutes | 2,29 GB
FLAC (tracks) 24-bit/96 kHz | Time - 53:56 minutes | 954 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The final release of the George Enescu (1881-1955) symphony cycle includes two neglected masterpieces: the 1st Symphony filled with youthful energy and the poetic and lyric Symphonie concertante for Cello and Orchestra. The soloist of the Symphony concertante is the award-winning cellist Truls Mørk. Artistic director of the Tampere Philharmonic Orchestra since 2009, Hannu Lintu has rapidly been creating an international career and is a sought-after conductor.
Tampere Philharmonic, Hannu Lintu - Enescu: Symphony No. 2 & Chamber Symphony (2012/2015) [DSD64 + Hi-Res FLAC]

Tampere Philharmonic Orchestra, Hannu Lintu - Enescu: Symphony No. 2 & Chamber Symphony (2012/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 69:23 minutes | 1,55 GB
FLAC (tracks) 24-bit/96 kHz | Time - 69:23 minutes | 1,38 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

George Enescu is Romania's most important composer - and one of the most neglected composers of the 20th century. With this release the Tampere Philharmonic Orchestra under the baton of its artistic director Hannu Lintu demonstrates a master of great orchestral colour and impressive imagination.
Alban Gerhardt, Hannu Lintu - The Romantic Cello Concerto 2: Volkmann, Dietrich, Gernsheim & Schumann (2007)

Alban Gerhardt, Hannu Lintu, Rundfunk-Sinfonieorchester Berlin - The Romantic Cello Concerto 2: Volkmann, Dietrich, Gernsheim & Schumann (2007)
EAC | FLAC | Image (Cue & Log) ~ 318 Mb | Total time: 73:43 | Scans included
Classical | Label: Hyperion | # CDA67583 | Recorded: 2006

Praised for his ‘passion and sensitivity’ by the BBC Music Magazine for his recording of the concertos by Dohnányi, Enescu & d’Albert, Alban now turns his attention to works by four of his compatriots: Robert Schumann, Friedrich Gernsheim, Robert Volkmann and Albert Dietrich. This collective, along with Johannes Brahms, were all friends and colleagues, each achieving considerable success in their lifetime, yet it is only Schumann and Brahms who have managed to hold onto that mantle through to the present day. Even Schumann’s Cello Concerto, written in 1850, remained unperformed until 1860 and it wasn’t until the early twentieth century that, thanks to Pablo Casals, it secured its rightful place in the repertoire.