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"The five piano concertos of St.-Saens are not frequently heard and that is a shame in view of the endless repeats of the Tchaikovsky, Grieg and Schumann warhorses. They are all well-composed examples of the best of French instrumental music of the later 19th century and full of lovely melodies that would appeal greatly to concert audiences. I hadn’t enjoyed any of them for some time and it was a pleasure to have these two concertos in enveloping hi-res surround. … Orchestration is very colorful, with solos originating in the winds and strings." 4/5 ~audiophile-audition
"The five piano concertos of St.-Saens are not frequently heard and that is a shame in view of the endless repeats of the Tchaikovsky, Grieg and Schumann warhorses. They are all well-composed examples of the best of French instrumental music of the later 19th century and full of lovely melodies that would appeal greatly to concert audiences. I hadn’t enjoyed any of them for some time and it was a pleasure to have these two concertos in enveloping hi-res surround. … Orchestration is very colorful, with solos originating in the winds and strings." 4/5 ~audiophile-audition
Most of Sara Sant'Ambrogio's recordings have been as cellist with the Eroica Trio, but she takes on the odd numbers of J.S. Bach's Six Suites for unaccompanied cello in this 2009 solo outing, and it's an ambitious undertaking. This album faces comparisons with several great recordings of the suites, and this young cellist likewise faces scrutiny for playing works associated with such names as Casals, Fournier, and Rostropovich, past masters of the instrument.