Erasure Low Level Format

Erasure - Blue Savannah [MCD] (1989)  Music

Posted by gribovar at Nov. 19, 2020
Erasure - Blue Savannah [MCD] (1989)

Erasure - Blue Savannah [MCD] (1989)
EAC Rip | FLAC (tracks+.cue+log) - 295 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers - 21 MB
Genre: Synthpop | RAR 3% Rec. | Label: Sire/Reprise (9 21428-2), 1990

A gently propulsive track from Wild!, Blue Savannah makes for a pleasant if not a completely stunning single for Erasure; the band itself once amusingly claimed it was "Erasure meets the Eagles!" The pleasure in this single lies in the various remixes and extra tracks that come scattered throughout. The title track itself benefits from two complementary remixes, "Der Deutsche Mix I and II", the latter of which adds a reasonable enough breakbeat and some fun synth soloing to create a low-key, Manchester-tinged dancefloor filler. There's one further remix from Mark Saunders that combines his usual fun beats and upbeat feeling to the original, not to mention adding a bit of twangy country guitar. Also on the disc is an okay enough original B-side, "Runaround in the Underground"…

Andy Bell - Torsten The Beautiful Libertine (2016)  Music

Posted by gribovar at April 1, 2020
Andy Bell - Torsten The Beautiful Libertine (2016)

Andy Bell - Torsten The Beautiful Libertine (2016)
EAC Rip | FLAC (tracks+.cue+log) - 376 MB | MP3 CBR 320 kbps (LAME 3.93) - 151 MB | Covers - 160 MB
Genre: Pop, Cabaret, Synthpop | RAR 3% Rec. | Label: Strike Force Entertainment (SFE045)

A sequel to 2014's Torsten the Bareback Saint, this 2016 release continues the collaboration between Erasure vocalist Andy Bell and theatrical writers Barney Ashton-Bullock and Christopher Frost and revives their Torsten character, who is described completely in the opening "Statement of Intent." "Used to be someone doesn't mean that I'm a has-been" it goes, but this thoroughly modern Millie also proudly crows "I'm gonna do it all before I go to seed." Later titles "Blow Jobs for Cocaine" and "The Slums We Loved" prove that Torsten's "do it all" is different than the everyday "do it all," but debauchery rarely comes framed in such artful flair, as Torsten joins Dr. Frank-N-Furter, Hedwig, and Quentin Crisp on the Mt. Rushmore of the queer and aggressively inquisitive…

V.A. - One Shot '80 Collection, Vol.1-Vol.19 (1998-2009)  Music

Posted by Discograf_man at Nov. 3, 2018
V.A. - One Shot '80 Collection, Vol.1-Vol.19 (1998-2009)

V.A. - One Shot '80 Collection, Vol.1-Vol.19 (1998-2009)
FLAC (*tracks+.cue+log ,scans) | Run Time: 01d:11h:44m | 14.77 Gb
Genre: Synth-pop, Funk, Soul, Pop, Disco | Label: Universal

One Shot 80: Da oltre di 10 anni è la collana più completa dedicata ai successi Pop e Dance della decade che va dal 1980 al 1989. Dopo il successo ottenuto con la prima serie arrivata al 20° volume, anche grazie agli innumerevoli Fans che con e-mail e cartoline contenute all'interno del CD hanno collaborato alla riuscita con le loro segnalazioni, ecco che la Universal Music Italia, propone quello che viene considerato il completamento dell'opera. La Nuova One Shot, come forse avete già capito, oltre ad essere rinnovata nel look, è rinnovata anche nei contenuti, 2 CD per volume che raccolgono anno per anno tutto quello che gli anni 80 hanno offerto.
VA - Revolutions in Sound: Warner Bros Records - The First Fifty Years (2008)

VA - Revolutions in Sound: Warner Bros Records - The First Fifty Years (2008)
EAC Rip | FLAC (tracks, cue, log) - 4.9 GB | MP3 CBR 320kbps - 1.7 GB
12:51:32 | Hip Hop, Jazz, Rock, Reggae, Latin, Funk, Soul, Blues, Non-Music, Pop, Children's, Folk, Country, Stage & Screen
Label: Warner Bros.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.