Eridc Burdon And The Animals

The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material. They were known in the US as part of the British Invasion.

This 22-song compilation features all of the essential recordings cut by the group in 1965 and 1966 after they broke with their original producer Mickie Most, and before Eric Burdon dissolved the core of the original lineup to pursue solo stardom with an Animals group featuring entirely different musicians. These tracks were perhaps more soul-oriented than their previous recordings, but the group still burns on the hits "Inside Looking Out" and "Don't Bring Me Down." Despite the absence of original keyboardist Alan Price, the group continued to showcase Burdon's passionate vocals and burning, vibrant organ (by Price's replacement Dave Rowberry) on both renowned and obscure R&B tunes, with an occasional original thrown in. Besides the entirety of their final British LP Animalisms (from 1966) and the above-mentioned singles, the CD includes the hits "Help Me Girl" and "See See Rider" (credited to "Eric Burdon and the Animals," these were possibly Burdon solo records). The four tracks from their first release, an independently released 1963 EP featuring primitive R&B standards, are small but noteworthy bonus cuts that close this collection.

The Animals were a British band of the 1960s, formed in Newcastle upon Tyne during the early part of the decade. The band moved to London upon finding fame in 1964.

Five CD set featuring all of the albums recorded by Eric Burdon & the Animals for the MGM Records label issued between October 1967 and December 1968. Eric Burdon & the Animals came together in December 1966 when the original Animals had ground to a halt. Vocalist Eric Burdon recruited Vic Briggs (guitar, piano), John Weider (guitar, violin, bass), Danny McCulloch (bass) and Barry Jenkins (drums) to form a new group which changed direction away from raucous rhythm and blues and embraced psychedelic rock and the influences of the emerging counter-culture…

Esoteric Recordings is pleased to announce the release of a new boxed set featuring all of the albums recorded by Eric Burdon & The Animals for the MGM Records label issued between October 1967 and December 1968.
The set features the albums “Wind Of Change” (both stereo and mono versions), “The Twain Shall Meet”, “Everyone Of Us” and “Love Is”, all newly re-mastered from the original master tapes, along with ten bonus tracks drawn from the band’s single releases, including the classic B-sides A Girl Named Sandoz, Ain’t That So and Gratefully Dead, all remastered from recently located original master tapes. Also included is an illustrated booklet with new essay and a replica poster. “When I Was Young: The MGM Recordings” is a fine tribute to the music of Eric Burdon & the Animals…

Sidestepping the horrendous title, Gratefully Dead 1964-1968, it's nice to see an Animals compilation that digs a bit deeper into their catalog, album tracks, B-sides, and curios, as opposed to rehashing the same old hits ad nauseam. The first ten tracks are mainly covers of blues and R&B tunes that were staples in the early Animals repertoire circa 1964 to 1966, such as "Dimples," "Bright Lights Big City," "Talkin' 'Bout You," and "Smokestack Lightning." The remaining 11 tracks from 1967 and 1968 are credited to the second lineup of the band now called Eric Burdon & the Animals, who plunge into psychedelic blues by way of bizarre tunes such as "Gratefully Dead," "It's All Meat" (which is a sped-up "Spoonful"), "Closer to the Truth," "Year of the Guru," and "White Houses."

This may seem like a strange way to listen to a group's legacy, 42 songs on 11 CD platters in a box. It is a bit pricey, as well, but going up four songs at a time with the Animals sort of makes sense, at least as far as distilling down their most successful and interesting work. The group never quite got the hang of making successful albums; that doesn't mean that they didn't do some very good ones, including their two for EMI, but their 12" platter sales never remotely matched the popularity of their nine hit singles from 1964 through 1966. Their EPs were a different matter - while the group strained in the studio to assemble 40 minutes of attractive listening, their songs made great four-track platters. In England, they issued five extended-play singles, while in France the group saw twice that many issued in their name, both by EMI Records and the Barclay label…

Of all the British acts that started messing with the blues in the early '60s, the Animals always sounded the toughest and most committed to the cause. They didn't have a genius guitarist like the Yardbirds or the Bluesbreakers, and couldn't write memorable original material like the Rolling Stones, but Eric Burdon was one of the few singers in the U.K. whose guts and ferocity approached that of his influences (without sounding like he was simply copying what he'd heard), and the tough, no-nonsense attack of guitarist Hilton Valentine, bassist Chas Chandler, and drummer John Steel drove the Animals with style and power, while keyboard man Alan Price gave the band plenty of welcome melodic flair…

This double-disc, 41-track collection does what the title promises. It runs through the Animals' – and the subsequent Eric Burdon & the Animals' – singles, A- and B-sides from March 1964's "Baby Let Me Take You Home" till January 1969's cover of "Ring of Fire." By representing both the early- and late-'60s Animals incarnations, it's a relatively comprehensive summation of the band, at least as embodied by their singles. It's not complete since there is nothing from the band's excellent 1977 reunion album Before We Were So Rudely Interrupted. Also, the dreadful 1983 second reunion track "The Night" is incongruously and non-chronologically tacked on as the last cut of the first disc, making the omission of Rudely material that much more frustrating.