Four years on from Smoker's Delight and, fortunately, little has changed for George Evelyn's Nightmares on Wax project. While he could've easily been forgiven for following the nu-beat crowd and inserting a few prescient big beats into the blunted trip-hop formula, it's all clear from the opener, "Les Nuits" (a NoW theme of sorts, repeated from Smoker's Delight), that at hand is a return to form, not a turn away from the trip-hop style that took such a beating during the late '90s. The lazy-day soul samples driving tracks like "Morse" and "Finer" are perfect examples that instrumental hip-hop doesn't have to resort to the usual producer's bag of tricks to make for music leagues beyond the average. There's also a focus here lacking from previous material; fewer interludes make for a more concentrated listening experience…
The longest serving artist on the Warp Records roster. Originally founded in 1988 by George "DJ E.A.S.E." Evelyn and Kevin "Boywonder" Harper. Harper left before the release of Smokers Delight. When playing live they were also joined by MC Toz 180 and guitarist Chris Dawkins.
The longest serving artist on the Warp Records roster. Originally founded in 1988 by George "DJ E.A.S.E." Evelyn and Kevin "Boywonder" Harper. Harper left before the release of Smokers Delight. When playing live they were also joined by MC Toz 180 and guitarist Chris Dawkins.
Too Late for Edelweiss, The Tallest Man On Earth – the project of Swedish musician Kristian Matsson weaves together a sparse collection of home recordings made in Sweden and North Carolina, captured fresh off a 39-date run with the adrenaline of tour rattling through his veins. His first release since 2019’s I Love You. It’s A Fever Dream, and his signing to ANTI-, the songs on Too Late For Edelweiss have been with Matsson since he started playing music as The Tallest Man on Earth in 2006. In those early years, Matsson used to perform “Lost Highway” before he had enough songs to flesh out a full set.