Esther Benbassa

Susan, Esther, and Daisy started at university three weeks ago and became fast friends because their dorm rooms were next to each other. Now, away from home for the first time, all three want to reinvent themselves. But in the face of hand-wringing boys, "personal experimentation," influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of "academia," they may be lucky just to make it to spring alive."

Susan, Esther, and Daisy started at university three weeks ago and became fast friends. Now, away from home for the first time, all three want to reinvent themselves. But in the face of handwringing boys, "personal experimentation," influenza, mystery mold, nuchauvinism, and the willful, unwanted intrusion of "academia," they may be lucky just to make it to spring alive. Collects issues #1-4."

Revista de información y crítica sobr literatura infantil y juvenil, que publicó habitualmente artículos y reseñas sobre obras de historieta o humor gráfico, y al menos un número monográfico dedicado al cómic, el número 85, de julio/agosto de 1996.

Susan, Esther y Daisy empezaron en la universidad hace tres semanas y se convirtieron en amigas rápidamente porque sus dormitorios estaban uno al lado del otro. Ahora, lejos de casa por primera vez, las tres quieren reinventarse a sí mismas. Pero al estar frente a chicos que se retuercen las manos, la "experimentación personal", la gripe, el moho misterioso, el nu-chauvinismo y la intrusión voluntaria e indeseada de la "academia", puede que tengan suerte si logran salir vivas.

En un planeta muy parecido a la Tierra está a punto de suceder algo alucinante. Ocan, para salvar su civilización deberá encontrar a su "elegida". El problema es que se encuentran ambos en la Tierra y no saben el aspecto que tiene ahora el otro. Las aventuras, moviéndose en un sinfin de dimensiones espaciales, le llevarán a encontrarse con bichos asquerosos, chicas deseables y malos de pelí­cula. Locura, acción y emociones con mucha sensualidad de por medio.

Hell and Back, the final volume of Frank Miller's signature series, is the biggest and baddest Sin City of them all! This newly redesigned edition features a brand-new cover by Miller - some of his first comics art in years! It's one of those clear, cool nights that drops in the middle of summer like a gift from on high. If it weren't for the rent, Wallace wouldn't have a care in the world. Then he sees Esther, about to throw it all away - and throw herself off a cliff. Wallace jumps in after her, saves her life, and falls in love, but before he can find out what she was running from, she's gone again, kidnapped. But Wallace isn't the kind to lose his head. He's calm. Like a monk. Like an executioner. And he'll find her. With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece!

Cette série aborde les thèmes de l'intelligence artificielle, de la cybernétique et de la place de l'Homme dans une société futuriste. Entre Blade Runner et Ghost in the Shell ! Dans un futur décadent à l'extrême, un terrible fléau transforme l'humanité en zombis. De l’anticipation apocalyptique et oppressante à souhait.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come--until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share.

Can anything be darker than noir? Try Frank Miller's Sin City series. The tasty Hell and Back features Wallace, a brooding artist with a decided talent for hurting people, and Esther, a stunningly beautiful actress accidentally mixed up in a slavery ring that extends far and deep enough to transcend the word conspiracy. The tale twists, turns, and backtracks, teasing the reader with hints of terror to come--until the explosive climax. Miller's art is exactly right for his words; he uses more black than white, and color only when appropriate. The chapter dealing with Wallace's drug hallucinations is beautiful, heartbreaking, and terrifying in turn. Readers interested in the human dark side should find out what fans of Sin City already know: Frank Miller has seen it and wants to share. --Rob Lightner --This text refers to an out of print or unavailable edition of this title.