Eternity

Eternity is the first album of the Power Metal band Kamelot. It's also the first of the two the band recorded with Mark Vanderbilt doing the vocals…

Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since…

Re-Animator is another talented British thrash band that never was able to quite make their mark on the genre. Condemned to Eternity essentially left no lasting impact but that is not to say that this album is without worth. The band is very capable and they show their undeniable prowess in their craft throughout the album…

this is the first album from the band and it's surprizingly excellent. The music they play is very popular in Europe nowadays- it's a mix of gothic-rock (or metal-think Paradise Lost "draconian times") with deep clean vocals and almost pop tunes (think HIM). The mixture is perfect here. The band delivers a collection of highly memorable songs based on strong vocal/ melody lines…

The Clash were the only first-generation punk band capable of (or perhaps interested in) tailoring their up-from-the-gutter firepower to suit arena-size audiences. Here, at last–a decade and a half after their demise–is proof of their substantial stage skills. –by Steven Stolder, amazon.com.

While Eternity's Children lacked the consistency and originality to assume a spot in the pantheon of true sunshine pop greats, they also deserve far more than mere footnote status - assembling their two studio LPs and a handful of singles, Rev-Ola's definitive retrospective not only posits the group for reappraisal, but proves that their finest moments rank alongside anything in the soft pop canon. Although the presence of producer Curt Boettcher guarantees comparisons to like-minded (but more commercially successful) acts like the Association and Sagittarius, Eternity's Children's lush, overlapping harmonies were all their own, and their songs cut an impressive swath of stylistic territory, from the gorgeous, bossa nova-like "My Happiness Day" to the gritty blue-eyed soul of the Chips Moman-produced "The Sidewalks of the Ghetto"…