Arthurian tales have captured the imaginations of artists for centuries. In the late 12th-century, the floodgates of Medieval Arthurian literature burst open, and across Western Europe, works about the fictional deeds of individual knights of the Round Table were written. These were tales of mistaken identity, switched births, giants, ceremonial duels, and forbidden love, that portrayed the different knights as flawed upholders of what came to be known as the Chivalric Code.
The first (but certainly not the last) of the compilations issued in the wake of T. Rex's U.K. chart breakthrough, Bolan Boogie was also many of the band's new fans' first chance to acquaint themselves with all that Marc Bolan had done in the past – a point which the compilers certainly kept in mind…
The first (but certainly not the last) of the compilations issued in the wake of T. Rex's U.K. chart breakthrough, Bolan Boogie was also many of the band's new fans' first chance to acquaint themselves with all that Marc Bolan had done in the past – a point which the compilers certainly kept in mind. The catalog at their disposal was vast, reaching back to the acoustic birth of Tyrannosaurus Rex. Sensibly, however, Bolan Boogie concentrates on the material that lived up its title – aside from one cut drawn from 1969's Unicorn, the entire album dated from the arrival of Mickey Finn, and the attendant headlong dive into electricity launched by the Beard of Stars album, and culminating with the epochal Electric Warrior album. Some incontrovertible classics emerge.
Between 1995 and 1997, Edsel released eight full-length CDs of Marc Bolan's previously unreleased demos, alternate takes, unused and abandoned songs and unfinished recordings. These CDs were deleted in 2001. Since then, copies of the rare original individual releases have changed hands for foolish amounts of money and sellers on Ebay have offered to pirate the entire set! Edsel is now proud to announce the re-issue of all 8 CDs in a limited edition bound book set, with extensive brand new annotation by Mojo writer Mark Paytress, author of the acknowledged definitive Bolan biography “Bolan: The Rise and Fall of a 20th Century Sperstar”.
Stuart John Wolstenholme (15 April 1947 – 13 December 2010), usually known as Woolly Wolstenholme, was vocalist and keyboard player with the British progressive rock band Barclay James Harvest. His first instrument was a tenor banjo, which he took up at the age of twelve, and he also played tenor horn for the Delph band. He met John Lees at Oldham School Of Art and Woolly played tambourine and sang with John in The Sorcerers, then The Keepers, where Woolly played whatever instrument was required, such as harmonica and twelve-string guitar.