Euroman Cometh

Formed in 2006, TROGLODYTE draws musical influences from the likes of CARCASS, OBITUARY and ORIGIN also finding inspiration from 70's drive-in horror fare such as THE LEGEND OF BOGGY CREEK, THE PIT and NIGHT OF THE DEMON. The band has craved/slashed out it's own niche as the world's first (and only) Bigfoot death-metal band.

This little gem fell from Odin’s mighty beard in the waning days of December and since that time of year is so hectic, this may have eluded the attention of many metal-minded folk. Steel Druhm simply cannot abide such a ruinous oversight. Why? Because the U.K.’s Forefather plays such a highly endearing mix of black, viking and folk metal with some power and NWOBHM tossed into the Anglo-Saxon stew….

Forefather is the creation of brothers Athelstan and Wulfstan, begun in Surrey, England in 1997. With influences drawn from across the metal spectrum, from Iron Maiden to Burzum, Forefather’s music doesn’t fit easily in any particular sub-genre, but many people find the pagan metal tag most appropriate. Whereas many Scandinavian bands are guided lyrically by their Viking heritage, Forefather frequently look to England’s Anglo-Saxon roots for inspiration. With six albums under their belt, including the most recent effort “Last of the Line”, Forefather have gained the respect and recognition of many critics and fans whilst carving a distinctive niche in the metal world.

UK mid seventies drug fuelled Wicked Lady spin off band from around the period of "Axemen Cometh". This is even heavier. Instrumental acid fuzz guitar freakouts with doom laden backing…

Having played with The Servants in the late 1980s, Luke Haines carved a unique niche for himself in the 1990s with witty lyrics, wry humour and some stellar tunes with The Auteurs and other acts (Black Box Recorder, Baader Meinhof). By 1999, feeling aghast at the state of the Brit Rock scene in the UK, Luke decided to "start a righteous solo trip", having been commissioned to write the soundtrack for the film Christie Malry's Own Double Entry (2001). Sticking with Virgin Records, Luke then unveiled his first solo album proper, The Oliver Twist Manifesto, before fronting a new-look Auteurs for Das Capital. In due course, Luke switched labels to indie Fantastic Plastic for Off My Rocker At The Art School Bop (2006), followed in 2009 by 21st Century Man. Since then, he's curated a string of imaginative, amusing and always worthwhile albums for Cherry Red Records. Alive And Well… is the first-ever anthology of Luke's solo work, cherry-picking musical highlights from each of his long players as well as a smattering of B-sides, radio sessions, rarities and - on Disc 4 - a raft of previously unissued material. Alive And Well… is a very personal statement spanning the last two decades of the musical life of Luke Haines.

Marc Bolan - Marc Bolan at the BBC - Radio Sessions And Broadcasts 1967 -1977 (2013) {6CD Box Set Universal 534 309-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.78 Gb | MP3 @320 -> 917 Mb | Artwork | 5% repair rar
© 1967-77, 2013 BBC Worldwide / Universal Music | 534 309-2
Rock / Glam Rock / Proto-Punk / Folk Rock / Freakbeat / Psychedelic / British Invasion / Mod

This set is said to combine all of the surviving BBC recordings with previously unreleased sessions taken from BBC Transcription Discs, off air recordings made on reel-to-reel tape recorders and the occasional cassette tape. The box contains 16 previously unreleased Tyrannosaurus Rex tracks, and over 20 T.Rex tracks never before issued. There are also a dozen interviews many of which have never been commercially available. The 117 track box set kicks off with some June 1968 John’s Children recordings and the curtain closes at the end of disc six with a couple of T.Rex tracks broadcast on the David Hamilton show, less than a month before Bolan’s untimely death.

The album that essentially kick-started the U.K. glam rock craze, Electric Warrior completes T. Rex's transformation from hippie folk-rockers into flamboyant avatars of trashy rock & roll. There are a few vestiges of those early days remaining in the acoustic-driven ballads, but Electric Warrior spends most of its time in a swinging, hip-shaking groove powered by Marc Bolan's warm electric guitar…