European Company Law de Luca

First recordings of the complete surviving keyboard works by a forgotten figure of the French Baroque.Brilliant Classics has revived the names of many composers from obscure corners of history. Few of them have been as buried by the past as Pierre-Claude Foucquet, who was active in Paris in the first half of the 18th century. Yet anyone listening to this first complete recording of his music for harpsichord will surely wonder why. Three volumes survive: two books of Pièces de Clavecin, and a third entitled Caractères de la Paix. This was the first to be published in 1749. By then Foucquet had been organist at the magnificent Church of Saint-Eustache for some years, and he would go on to take up the post of titulaire at Notre Dame. He was following in a distinguished family line, his father and grandfather both having been organists at Saint-Eustache.

Even in scholarly explorations of French-Baroque harpsichord repertoire, the name of Jean-Jacques Beauvarlet-Charpentier (1734-1794) is mentioned only in passing. Previous albums of his music have been dedicated to his organ output; this new album will attract any collectors of French Baroque music, who will be rewarded by memorable and colourful portrait pieces every bit as vivid as the likes of d’Anglebert and Couperin.

Gottfried Grünewald was a successful opera singer in 18th-century Germany, based at the theatre in Hamburg for many years, but a familiar figure in German courts and theatres across Germany. When he died in 1739, the composer Christopher Graupner (his colleague in Darmstadt) destroyed most of Grünewald's music, according to an agreement they had apparently made. Only seven keyboard partitas are known to have survived to modern times, and they receive their first complete recording here in the spirited hands of Fernando de Luca, who has done so much to rescue forgotten names from obscurity with his albums for Brilliant Classics.