Considered by many in the jazz world as the natural heir to the throne of the late great Jaco Pastorius, Cameroon-born bassist and vocalist Richard Bona is so well-known for his incredible work as a studio sideman (Joe Zawinal, Regina Carter, Bob James, etc) and two-year stint as musical director for Harry Belafonte that it's easy to overlook his prodigious solo output since the late '90s. Rather than release a safe greatest hits type collection, Decca had the capital idea to follow his Grammy nominated disc Tiki with a high energy, hour-plus live album that captures a batch of his most compelling, rhythmically overjoyed tracks in the habitat where they best come to life. The unique twist is that while Bona loves being on-stage, he's not a fan of making live recordings. So his deal was telling his board guy not to inform him of which performance he was recording to use for the album.
Morocco's leading young Gnawa musician plays ancient African music of healing and trance, joined by world class jazz and new music improvisers. This is world fusion's true sound. A young, hip Gnawa sintir player here combines his expertise with a multi-national percussionist, a European ney player, and veteran free jazzer Don Cherry's pocket trumpet to create a soundscape that one cannot escape from. All this is done in New York City. The ney work here is perhaps the greatest contribution. The light tones wrap around all other features of the music when Richard Horowitz is playing to envelope the listener.
Jazz singer/songwriter Michael Franks is an artist most jazz fans feel strongly about one way or another. His unique, romantic poet-cum-laid-back hipster approach to jazz signing is breezy, light, and languid. It's also uniquely his own, though deeply influenced by Brazilian jazz, bossa, and samba. Time Together, his first recording of new material in five years – and his debut for Shanachie – is unlikely to change anyone's opinion of him, but that doesn't mean this is a rote recording. Time Together is an airy, groove-ridden summer travelog that ranges from St. Tropez and New York to Paris, France, and Egypt; it journeys through the nostalgic past and finds space in the present moment, with cleverly notated, languorous, ironic observations about life. Franks split the production and arranging duties between Charles Blenzig, Gil Goldstein, Chuck Loeb, Scott Petito, and Mark Egan. The rest of the international cast on this polished 11-song set includes old friends and new faces David Spinozza, Mike Mainieri, David Mann, Eric Marienthal, Till Brönner, Alex Spiagin, Jerry Marotta, Billy Kilson, Romero Lubambo, and backing vocalist Veronica Nunn.
Pianist Kyra Zhao says that "Vibrant, just like the title sounds, is a colorful excursion taking the listener's ear on a journey from the dreamy seashore to the roaring thunder and from intimate friendship encounters to triumphant marches." The works by Rachmaninoff, Scriabin, and Schumann are essential repertoire of the Romantic to the early 20th century era. Hailed by New York Concert Review as "A born performer" pianist Kyra Xuerong Zhao has achieved an international reputation in many countries as a concert pianist. She won top prizes at the Seattle International Piano Competition, Rome Chopin International Piano Competition, and the Quebec International Music Awards, among many others. She has performed recitals, concertos, and chamber concerts in the most prestigious halls in the world. A graduate of Boston University, Yale, and the Mannes School of Music, she is currently on the faculty at the New England Conservatory of Music.
Antibalas new studio album, Where The Gods Are In Peace, is an epic Afro-Western Trilogy searching for solace from American political opportunism, greed and vengeance. Through its battle cry of resistance against exploitation and displacement, Antibalas long-form compositions investigate oppression in 1800s America that eerily mirror the current state of the country. Three explosive original arrangements cultivate an urgent call to heal a broken system. Ultimately, the sonic excursion lands on an island where love is our first instinct. A new ideology is born opening our hearts to the possibilities of living as one unified people, where all gods are equal and together we prevail.
In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a nonet (six horns, three rhythm) with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.