Exile The Hurricane Fireworks Flac

Kerem Görsev’s 18 th release was recorded in January at Bunker Studio, New York. All the eight pieces in the release are composed by Kerem Görsev. With world-renowned musician Terell Stafford (trumpet), Peter Washington (double bass) and Ferit Odman (drums), the record was released with “Emre Grafson” label in CD & LP formats on March 23, 2018.

Sir Charles Mackerras has a reputation for providing exciting and full-blooded interpretations in Janáček and baroque music and this thrilling collection of Handel recordings dating from almost 50 years ago is a case in point.

This disc, very well recorded in 1984, presents the Fireworks music on period instruments but in the version that includes the strings. Pinnock later recorded the version that used a large wind band. The rest of this disc features two concertos for two horns which prove to be thoroughly entertaining.

Among so many other great landmarks in the history of rock & roll, the late ‘60s witnessed numerous technological advances when it came to recording and performing equipment, and, thanks in no small part to the emergence of Marshall amplifiers, the decade also gave rise to the era of hard rock and heavy metal. Power trios such as Cream, the Jimi Hendrix Experience, and the deafening Blue Cheer provided the initial thrust, but once the subsequent holy trinity of Led Zeppelin, Deep Purple, and Black Sabbath burst onto the scene, the hard rock virus really spread like a plague across the globe – even into distant, chilly, staid Norway, from whence came the aptly named Titanic…

Despite the use of period instruments, including some fine blaring natural horns, this couldn't be called a historically informed performance of Handel's Royal Fireworks Music, HWV 351. The work was not composed for a pleasant onboard afternoon musicale like the Water Music, but instead was part of an event that would have been one of the top items on CNN Headline News for 1749: the celebration of the Peace of Aix-la-Chapelle, brokered by King George II.

Eduard van Beinum's 1958 account of the Water Music captures the magnificent wind section of the Concertgebouw Orchestra at its early post-War peak, and rather than fuss over every phrase and rhythm, as so many of today's "authenticists" do, Beinum offers lively harmonic and rhythmic support while encouraging his nonpareil players to really enjoy themselves–and do they ever! Listen to the those magnificently brazen but always golden-toned horns at the opening of the Menuet (Pomposo), the brilliant trumpets in the famous Alla Hornpipe, and the soulful oboes and bassoons in their many solo turns (the oboist in the Adagio e staccato deserves a standing ovation for that movement alone).