Fabio Viscogliosi

Le avventure di zio Paperone e Paperino, un insospettabile Gambadilegno e la potenza di Xadhoom vi accompagneranno in un percorso immaginifico e poetico che ha una meta tutta letteraria: Dracula di Bram Topker. Una carrellata di personaggi, avventure e misteri nati dalla matita di Fabio Celoni. Età di lettura: da 6 anni.

After the overwhelming praise from fans and critics alike for , Mike Mignola and cowriter Joshua Dysart return to the Hellboy universe for , a five-issue miniseries continuing the early exploits of the fledgling Bureau for Paranormal Research and Defense and its founder, Trevor Bruttenhom—occult investigator and guardian of the infant Hellboy. Despite the fact that the Hellboy/B.P.R.D. franchise has ballooned over the years and creator Mike Mignola rarely has the time to illustrate any of these stories, the various mini-series and one-shots over the years have managed to achieve a surprisingly consistent visual style. 1947 is no exception. With art by Eisner award winners Gabriel Bá and Fábio Moon, it is a visual treat. Mike Mignola himself talks about Bá and Moon: "Their work is amazing, and we’re giving them an epic gothic tale, a moody and shadowy nightmare unlike anything they’ve done, and darker, scarier, and more mysterious than anything we’ve done in such a long format." And about 1947: "In the 1946 series, the B.P.R.D. was just two guys and one of them died. In 1947 we see the humble beginnings of the Bureau we know and love today."

They were two of Entertainment Weekly's Top 100 stars to watch. They've won multiple Eisners and have worked with the top names of comics and pop culture from Joss Whedon (Sugar Shock) and Mike Mignola (BPRD: 1947) to Gerard Way (Umbrella Academy) and Matt Fraction (Casanova). Now, Brazilian wonder twins Fábio Moon and Gabriel Bá are back writing and drawing in a hauntingly lyrical series set in their native Brazil. With DAYTRIPPER, they follow in the tradition of Craig Thompson, Paul Pope and David Mazzucchelli - cartoonists at the top of their game making comics about the quiet moments that ask big questions. Brás de Oliva Domingos is an obituary writer with a famous father, a career he hates, and tons of questions. How does a person become a successful writer? How does a man get out of his father's shadow? All High Quality Minutemen scans.

After the overwhelming praise from fans and critics alike for , Mike Mignola and cowriter Joshua Dysart return to the Hellboy universe for , a five-issue miniseries continuing the early exploits of the fledgling Bureau for Paranormal Research and Defense and its founder, Trevor Bruttenhom—occult investigator and guardian of the infant Hellboy. Despite the fact that the Hellboy/B.P.R.D. franchise has ballooned over the years and creator Mike Mignola rarely has the time to illustrate any of these stories, the various mini-series and one-shots over the years have managed to achieve a surprisingly consistent visual style. 1947 is no exception. With art by Eisner award winners Gabriel Bá and Fábio Moon, it is a visual treat. Mike Mignola himself talks about Bá and Moon: "Their work is amazing, and we’re giving them an epic gothic tale, a moody and shadowy nightmare unlike anything they’ve done, and darker, scarier, and more mysterious than anything we’ve done in such a long format." And about 1947: "In the 1946 series, the B.P.R.D. was just two guys and one of them died. In 1947 we see the humble beginnings of the Bureau we know and love today."

After the overwhelming praise from fans and critics alike for B.P.R.D.: 1946, Mike Mignola and cowriter Joshua Dysart return to the Hellboy universe for , a five-issue miniseries continuing the early exploits of the fledgling Bureau for Paranormal Research and Defense and its founder, Trevor Bruttenhom—occult investigator and guardian of the infant Hellboy. Despite the fact that the Hellboy/B.P.R.D. franchise has ballooned over the years and creator Mike Mignola rarely has the time to illustrate any of these stories, the various mini-series and one-shots over the years have managed to achieve a surprisingly consistent visual style. 1947 is no exception. With art by Eisner award winners Gabriel Bá and Fábio Moon, it is a visual treat. Mike Mignola himself talks about Bá and Moon: "Their work is amazing, and we’re giving them an epic gothic tale, a moody and shadowy nightmare unlike anything they’ve done, and darker, scarier, and more mysterious than anything we’ve done in such a long format." And about 1947: "In the 1946 series, the B.P.R.D. was just two guys and one of them died. In 1947 we see the humble beginnings of the Bureau we know and love today."

After the overwhelming praise from fans and critics alike for , Mike Mignola and cowriter Joshua Dysart return to the universe for , a five-issue miniseries continuing the early exploits of the fledgling Bureau for Paranormal Research and Defense and its founder, Trevor Bruttenhom—occult investigator and guardian of the infant Hellboy. Despite the fact that the Hellboy/B.P.R.D. franchise has ballooned over the years and creator Mike Mignola rarely has the time to illustrate any of these stories, the various mini-series and one-shots over the years have managed to achieve a surprisingly consistent visual style. 1947 is no exception. With art by Eisner award winners Gabriel Bá and Fábio Moon, it is a visual treat. Mike Mignola himself talks about Bá and Moon: "Their work is amazing, and we’re giving them an epic gothic tale, a moody and shadowy nightmare unlike anything they’ve done, and darker, scarier, and more mysterious than anything we’ve done in such a long format." And about 1947: "In the 1946 series, the B.P.R.D. was just two guys and one of them died. In 1947 we see the humble beginnings of the Bureau we know and love today."

Texto de la editorial: A finales de los años 50, los hermanos Fabio y Giovanni se ponen al volante de un Fiat 500 para iniciar un viaje de hondo significado. Giovanni ha convencido a Fabio de honrar la memoria de su padre, y para ello se dirigen a Italia, su tierra natal, que dejaron hace muchos años. Las personalidades totalmente opuestas de los hermanos y la intimidad forzada del pequeño automóvil generarán conflictos, silencios, recuerdos y reencuentros. Así, poco a poco, aflorará el retrato del padre ausente, y con él, la certeza de que las heridas familiares suelen trascender el paso del tiempo.