Fathom Pulse

Antonio Pappano - Antonio Pappano & Friends (2023)  Music

Posted by ciklon5 at Oct. 27, 2023
Antonio Pappano - Antonio Pappano & Friends (2023)

Antonio Pappano - Antonio Pappano & Friends (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 7:47:31 | 1,01 / 1,74 Gb
Genre: Classical / Label: Warner Classics

Primarily an opera conductor, Antonio Pappano enjoyed an astonishingly fast rise to the top of his profession in the 1990s. He was born in London of Italian parents, but his main musical education was in the United States, where he studied piano with Norma Verilli, composition with Arnold Franchetti, and conducting with Gustav Meier. He was a rehearsal accompanist at the New York City Opera when he was just 21 years old. His work with the Lyric Opera of Chicago led to his becoming an assistant to Daniel Barenboim in preparation for Barenboim's Bayreuth productions of Tristan, Parsifal, and a complete Ring cycle.
Thomas Stronen & Iain Ballamy: FOOD - Quiet Inlet (2010) with Nils Petter Molvær & Christian Fennesz

Thomas Strønen & Iain Ballamy: FOOD - Quiet Inlet (2010)
with Nils Petter Molvær & Christian Fennesz

EAC | FLAC | Tracks (Cue&Log) ~ 246 Mb | Mp3 (CBR320) ~ 129 Mb | Scans included
Contemporary Jazz, Modern Creative | Label: ECM | # ECM 2163, 273 4919 | 00:47:01

A reduction in personnel rarely results in a broader musical expanse, but that's just what happened to Food, since trumpeter Arve Henriksen and bassist Mats Eilertsen departed in 2004. Molecular Gastronomy (Rune Grammofon, 2008)—Food's first duo recording, though the use of guests fleshed the group out to a trio—was Food's most accessible album to date, without sacrificing any of its inherent risk and sound of surprise. Quiet Inlet—Food's first for ECM, and featuring Austrian guitarist Christian Fennesz on three tracks and Norwegian trumpeter Nils Petter Molvaer on four—follows Molecular Gastronomy's path, but remains equally traceable to earlier albums, including Food's quartet swan song, The Last Supper (Rune Grammofon, 2005). Even as a duo, Food generates a lot of sound. Strønen, in particular, combines bastardized drum kit, hand percussion and technology into a distinctive soundscaping approach, from pulse-driven to textural; spatially ethereal to jagged and dense. Ballamy's more economical playing is equally key in establishing a group sound, and based on its performance at Punkt 2006, Food could easily have continued on as a duo, but increases the unpredictability quotient by introducing a third player to the set.