Faust Karabits

When Franz Liszt took over the court orchestra in Weimar in 1848, the memory of Goethe, who had previously directed the court theatre, was still venerated. Liszt was therefore Goethe's direct heir at Weimar - albeit as a musician. With his Faust Symphony, which was premiered on the same day as the inauguration of the Goethe and Schiller monument in front of the theatre, psychology made its way into music; Liszt's ambition was the "renewal of music through its more intimate connection with poetry". His Faust Symphony demonstrates the power of sound, of tone painting, to evoke a fantastical, epic and psychological world.

Steven John Isserlis is one of the leading internationally ranked cellists. He plays a wide range of repertory and is noted for using gut strings and a great deal of vibrato. He is the grandson of Russian composer and pianist Julius Isserlis and can trace his family tree back to connections with both Karl Marx and Felix Mendelssohn. He spent most of his teenage years (1969-1976) at the International Cello Centre as a pupil of Jane Cowan,who required her students to read Goethe's Faust in order to understand Beethoven better and memorize Racine to know the sound of the language when playing French music.