Felt

Collection includes 5 studio albums and 1 compilation by British alternative rock band Felt. Includes: 'Crumbling the Antiseptic Beauty' (1982), 'Ignite The Seven Cannons' (1985), 'Let The Snakes Crinkle Their Heads To Death' (1986), 'Forever Breathes the Lonely Word' (1986), 'Me And A Monkey On The Moon' (1989), 'Absolute Classic Masterpieces' (1992).

If a picture is truly worth a thousand words, we think of THE FELT SEILER in the same way, only in a musical context, instead - you can convey so many different emotions only with a few strokes of your hands. Nothing too complex or “puffy”, yet powerful and moving enough to allow you to express yourself freely, with nothing holding you back.

Felt is a late 1970s British indie-rock cult band founded by the mononymous individual Lawrence. The Strange Idols Pattern and Other Short Stories is the third album that Felt has released. Their unique rock sound can be heard on tracks like Roman Litter, Sunlight Bathed the Gold Glow, and Crystal Ball.

Felt is a late 1970s British indie-rock cult band founded by the mononymous individual Lawrence. The Splendour of Fear is the second album that Felt has released. Their unique rock sound can be heard on tracks like The World is Soft as Lace, The Stagnant Pool, and A Preacher in New England.

Felt is a late 1970s British indie-rock cult band founded by the mononymous individual Lawrence. The Splendour of Fear is the fourth album that Felt has released. Their unique rock sound can be heard on tracks like My Darkest Light Will Shine, Textile Ranch, and Elegance in D.

Felt is a late 1970s British indie-rock cult band founded by the mononymous individual Lawrence. "Crumbling the Antiseptic Beauty" is this group's first album where listeners can hear the beginning of their dream-pop, post-punk contributions to the world of music.

Felt is a late 1970s British indie-rock cult band founded by the mononymous individual Lawrence. "Let the Snakes Crinkle Their Heads to Death" was their fifth studio album, released in 1986. For the 2018 reissue of the album, Lawrence returned the record to its original planned title, renaming it "The Seventeenth Century". The reissue also featured a different cover, replacing previously used photographs with typography.