Les tribulations d'un frère et d'une sœur braqueurs de banque promis à la potence dans l'ouest américain. Une bande d'enfants tentant d'aider leur voisine à retrouver son amour de jeunesse, quitte à pervertir les règles du conte de fées. …
Son enfance, la découverte de son homosexualité, son mariage avec Ghislain et surtout la merveilleuse histoire de sa paternité, Christophe Beaugrand livre un témoignage tout en pudeur, humour, générosité et émotion et se confie pour la première fois sur son fils, dont la venue au monde a bouleversé sa vie et celle de son mari. …
…In many ways Dupré may be viewed as a 'Paganini' of the organ - being a virtuoso of the highest order, he contributed extensively to the development of technique (both in his organ music and in his pedagogical works) although, like Paganini, his music is relatively unknown to musicians other than those who play the instrument for which the music was written. A fair and objective critique of his music should take into account the fact that, occasionally, the emphasis on virtuosity and technique can be detrimental to the musical content and substance. However, his more successful works combine this virtuosity with a high degree of musical integrity, qualities found in works such as the Symphonie-Passion, the Chemin de la Croix, the Preludes and Fugues, the Esquisses and Évocation, and the Cortège et Litanie…
"…In many ways Dupré may be viewed as a 'Paganini' of the organ - being a virtuoso of the highest order, he contributed extensively to the development of technique (both in his organ music and in his pedagogical works) although, like Paganini, his music is relatively unknown to musicians other than those who play the instrument for which the music was written. A fair and objective critique of his music should take into account the fact that, occasionally, the emphasis on virtuosity and technique can be detrimental to the musical content and substance. However, his more successful works combine this virtuosity with a high degree of musical integrity, qualities found in works such as the Symphonie-Passion, the Chemin de la Croix, the Preludes and Fugues, the Esquisses and Évocation, and the Cortège et Litanie…" ~wikipedia
Håkan Austbø has excellent credentials in this repertoire. His is an individual view, with a wider range of tempi and dynamic than Loriod. His account of the opening Regard du père and the later Regard du fils sur le fils is paced much more slowly, but his playing has great concentration and evocative feeling so that he readily carries the slower tempo, and in Par lui tout a été fait articulation is bolder, giving the music a stronger profile, helped by the clearer, Naxos digital focus. This is undoubtedly a performance that grips the listener and can be strongly recommended as an alternative view.
Oscar est victime de la violence de sa maitresse d'école. Pourtant, personne ne semble l'écouter…