Financial Times 26 02 2021

Her second album explodes from the speakers with Leonore's aria from Fidelio, the role which bowled over critics in March 2020: "She will surely be the outstanding Leonore of the next generation." Financial Times. Presenting some of the great operatic heroines from the German and Italian repertoire: Verdi's Leonora from La forza del destino, Cherubini's Medea, and Santuzza in Cavalleria rusticana further demonstrating her versatility. Featuring Wagner's five Wesendonck Lieder which has become a signature piece for Lise and which affords us a glimpse of her future Isolde. Recorded in lockdown with the London Philharmonic Orchestra and the doyen of British opera conductors, Sir Mark Elder.

American violinist Jennifer Koh’s new recording, Alone Together is based on her online performance series of the same name, created in response to the coronavirus pandemic and the financial hardship it has placed on so many in the arts community. The New York Times called Alone Together “a marvel for a time of crisis” and the lineup of composers “more inclusive than anything in mainstream classical music.”

A truly mind-blowing deep dive into one of the most important works within the canon of 20th Century experimental music, stretching across 3 LPs and 2 CDs, as well as containing a 124-page book, Alvin Lucier's "I Am Sitting in a Room. Archival Recordings 1969–2019" on Sound On Paper Editions gathers 10 previously unavailable renderings of this astounding composition, created by the composer between 1969 and 2019. Illumining an unprecedented level of depth, nuance, and insight from a work that can never be the same thing twice, this stunning box set is issued in a limited edition of 500 hand-numbered copies and won't sit around for long. As highly recommended as they come!

SALWSING! as an album has different purposes. One, to present the Roberto Delgado Orchestra as an outfit capable of expanding its original Panamanian roots to cover other musical genres. Another, to present my interest in exploring other vocal directions and thus eliminate the stereotype that affirms that we are conditioned to only exist artistically within specific boundaries, according to our nationality.