This four-disc, budget-priced box set does an effective job of chronicling the majority of the John Denver's biggest hits during his lengthy tenure with the label. The track listing is in chronological order, beginning in 1969 with "Daydream" and concluding with live versions of "Matthew" and "This Old Guitar" from the 1995 album The Wildlife Concert…
Coinciding with the 35th anniversary of Denver's first album release on RCA, this two-disc, 25-track overview of the country-pop singer's storied career is the most concise and nuanced yet. Digitally remastered from the original master tapes, road-trip classics like "Take Me Home, Country Roads," "Rocky Mountain High," and "Back Home Again" are as warm as the singer's lauded tenor. There are no gimmicky re-recorded cuts or disappointing live tracks – "Thank God I'm a Country Boy" spent its time on the charts in its live incarnation – and his spotty '80s material is only briefly covered ("Perhaps Love" and "Shanghai Breezes"). For those unwilling to sift through the exhaustive four-CD Country Roads Collection, Song's Best Friend: The Very Best of John Denver is a good buy and a rewarding visit with an old friend.
Lightnin' Hopkins live from Ebbet's Field, Denver, Colorado on April 25th, 1974. The Texas giant of blues makes a welcome return to Denver for another unique display of blues artistry. Having had his life committed to the big screen and having been backed by 13th Floor Elevators, Lightnin' was about to devour the next decade with the same righteous intent - stubborn, flashy, and damned inspirational. Klondike present the entire KCUV FM broadcast of Lightnin' Hopkins live from Ebbets Field, Denver, Colorado on April 25th, 1974. Professionally re-mastered original FM broadcast with interviews, background liners, and rare archival photos.
If you ever saw John Denver in concert, this will recreate the thrill of that experience. The audio quality is absolutely amazing, and his voice soars in these historic concerts. The words of his songs have a special meaning and power when you think of them being sung to an audience of people who were not free, like the words to "I Want to Live." And there are some works that aren't easy to find, like "Bells of Rhymney," "The Gold and Beyond," and "Peace Poem."…
On night two, the band kicked things off with the aptly titled "Flamethrower" before segueing into a "Mulche's Odyssey," dominated by Cinninger on the fire and brimstone. "Miami Virtue" cooled things off a bit as Ryan Stasik dropped a smooth bass line, which, synced with the keyboard handiwork of Cummins, got both the band and crowd into a steady head bob. On the heels of a hefty "Plunger” sandwich, "Dump City" set up a second set that won't soon be forgotten. The great saxophonist Joshua Redman joined the band for all of set two, making this one a rare gem in the UM catalog. Monster song after monster song interspersed with high energy improv made this one of the band's favorite sets of the year. This one delivers.