Fitzpatrick's War

Anyone interested in understanding human nature, warfare, and terrorism at their most fundamental levels will find Sex and War to be an illuminating work, and one that might change the way they see the world. As news of war and terror dominates the headlines, authors take a step back to explain it all. In the spirit of Guns, Germs and Steel, this book asks the basic questions: Why is war so fundamental to our species? And what can we do about it?

Are Americans in denial about the costs of the War on Terror? In The Real Price of War, Joshua S. Goldstein argues that we need to face up to what the war costs the average American—both in taxes and in changes to our way of life. Goldstein contends that in order to protect the United States from future attacks, we must fight—and win—the War on Terror…

Iraq for Sale: The War Profiteers is the story of what happens to everyday Americans when corporations go to war.
Acclaimed director Robert Greenwald (Wal-Mart: The High Cost of Low Price, Outfoxed and Uncovered) takes you inside the lives of soldiers, truck drivers, widows and children who have been changed forever as a result of profiteering in the reconstruction of Iraq. Iraq for Sale uncovers the connections between private corporations making a killing in Iraq and the decision makers who allow them to do so.

The authors present incisive portraits of the military leaders, on both sides of the struggle, demonstrating the ambiguities they faced, the opportunities they took, and those they missed. Throughout, we see the relationship between the actual operations of the war and their political and moral implications.

War’s Greatest Hits 2.0 is the definitive best of WAR and the perfect expansion of the 1976 Greatest Hits album.

The War Requiem, Op. 66, is a large-scale, non-liturgical setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with settings of poems by Wilfred Owen, written in World War I.