Five 2011 Fgt

Blessed with one of the most talented and exciting backing bands in jazz today, guitarist Jon Lundbom returns with a mammoth 2-CD live epic. Liverevil captures the band in performance on their hometown stomping grounds, Brooklyn Fire Proof, in front of a rightfully enthusiastic crowd. Easily able to sustain interest over the course of a double album, Lundbom and Big Five Chord mix up their program of open-ended original jazz compositions with a set of traditional Wiccan prayer songs and a cover of "North Star" by the indie folk band Rural Alberta Advantage…

Session and backup band keyboardist Derek Sherinian seems to understand that, when it comes to jazz-rock fusion music, the electric guitar is king, at least from the evidence of his solo album Oceana. Sherinian, who has backed such stars as Buddy Miles, Alice Cooper, and Kiss and been a member of groups including Dream Theater and, most recently, Black Country Communion, usually contents himself with co-writing the instrumental tunes on the album with drummer Simon Phillips, then joining Phillips and bassist Jimmy Johnson in providing musical support to one of a number of guest star guitarists…

This 10 CD box contains around 500 minutes of recordings featuring Stan Getz from between 1946 and 1957. Most of those were originally released under his own name, but there is also stuff lead by (or cooperations with) Terry Gibbs, Al Haig, Jimmy Raney, Dizzy Gillespie, Lionel Hampton, Oscar Peterson and J. J. Johnson. After browsing some of the albums included here, it's safe to say that there are quite a few recordings that were most probably not released on CD before. Unlike most other documents wallet boxes this one comes with band names, recording locations and recording dates for all tracks.

Four CD solo anthology from the American singer/songwriter and former Fat Chance member. This set contains 70 remastered tracks tracing the respected solo career of LaBounty, covering virtually the entirety of his solo albums. Includes 18 unreleased demos and five songs from the debut album Promised Love, which has never been released on CD. Features musical assistance from James Taylor, Larry Carlton, Jeff Porcaro, Willie Weeks, Steve Lukather, Lenny Castro, Robbie Dupree, Patti Austin, Jennifer Warnes, Steve Gadd and many others.

This ‘themed’ programme by Da Pacem derives from a series of concerts devoted to Bach’s infamous journey on foot to hear Buxtehude play. Did he have leave of absence from his employers? Did the four month absence change his style for ever? Buxtehude achieved a staggering synthesis of the polyphonic, numerical and rhetorical traditions of his predecessors with a very personal poetry, taking care to make his music accessible to everyone, from the specialist to the layman. It is not surprising that Bach took him as his model.

Following the success of the Westminster Cathedral Lay Clerks in their sumptuous men-only recording of Victoria’s Missa Gaudeamus, the choir returns to full ranks for a further issue in their survey of the Masses of this undisputed Master of the Renaissance. This new recording opens with Victoria’s five-part setting of the Marian antiphon Salve regina, followed by two of the composer’s Masses: Missa De Beata Maria Virgine and Missa Surge propera, which is preceded by its Palestrina model.

Continuing the series ‘Bach’s Contemporaries’, this volume concentrates on the wonderful music of Johann Schelle—a cousin of Kuhnau (another composer featured in this series). This immensely striking sacred music by Schelle (one of Bach’s predecessors in the post of Kantor in Leipzig’s famous Thomas Church) brings together a top-flight group of soloists and a large and colourful assembly of instrumentalists, and presents remarkable and splendidly varied music which not only stands up proudly in its own musical right, but also greatly enhances our understanding of Bach’s own sacred writing.

Taking over from where Sony left off, Ministry of Sound's Guilty Pleasures is the first compilation in five years to be officially affiliated with the concept created by BBC DJ Sean Rowley back in 2004 which has since spawned its own Camden Town club night, prime-time ITV show, and regular Sunday afternoon radio slot. But while indie kids have embraced the idea of "reclaiming the songs it's shameful to love," the whole Guilty Pleasures brand has come under fire from unapologetic fans of its previous material, who claim the whole idea reeks of musical snobbery.