A saxophonist of a different order—part griot, theorist, numerologist, and incessant seeker of knowledge— Steve Coleman continues to forge new paths in creative music. He's influenced more of today's forward thinking artists than almost anyone in recent memory with his proven M-Base concepts. His critically acclaimed 2010 recording, Harvesting Semblances and Affinities (Pi Recordings), was a welcome return to the spotlight, and the follow-up, The Mancy of Sound , is even more rewarding.
You're Under Arrest, Gainsbourg's final album, was another collaboration with American Billy Rush in New Jersey. It's difficult to say what Rush was going for here with Gainsbourg. There's the feeling that Rush was taken with both Nile Rodgers' Chic and Grandmaster Flash & the Furious Five (especially with the "hugh, hugh, hugh" in the refrains). These are overly slick funk tunes that border on both new wave and rap, and seem to leave the subtle ironies of Gainsbourg's demented lyrics behind – which is too bad because this record is a step up lyrically from Love on the Beat.
Digitally remastered and expanded three disc (two CDs + NTSC/Region 0 DVD) edition of this 1996 album. Suede recruited 17-year-old guitarist Richard Oakes, following the departure of Bernard Butler. Oakes joined for the Dog Man Star tour, after which the band returned to the studio to record their third album. At this point they also enlisted keyboard player Neil Codling. The resulting album, issued in 1996, entered the album charts at # 1 and spawned five Top Ten singles and is their biggest-selling album. This deluxe edition features the non-album b-sides as well as demos from the collections of Brett Anderson, Richard Oakes and Neil Codling. The DVD features the previously unreleased concert video Live At The Roundhouse featuring a guest appearance from Neil Tennant. Also featured is Suede In Paris, a newly-discovered full-length film of Richard Oakes' first ever concert with the band in October 1994. The bonus feature is a February 2011 interview with Brett, Richard and Neil about the making of the album, along with a short film put together by Simon Gilbert from his own contemporary camcorder footage.
Famous for his innovative operas – Orfeo ed Euridice, Alceste, and Armide – Christoph Willibald Gluck is virtually unknown as a composer of instrumental music, and his attributed symphonies and overtures are among his most obscure works. Indeed, this 2011 release on CPO by Michi Gaigg and L'Orfeo Barockorchester almost stands alone in introducing these early symphonies, which show the fluidity of symphonic form as it developed out of the Baroque opera overture into the familiar Classical shape. With as few as two and as many as four movements,
This excellent live recording served as my introduction to the wonderful Italian-flavoured progressive rock of PFM back in '74. The songs represented are all superlative, and the musicianship is amazing…