Here's the conclusion of our complete Flatt & Scruggs retrospective. It takes us through the period of their greatest success in the 1960s, leading to the break-up. They were taking bluegrass music into places it had never been, and cutting some brilliant and innovative music along the way. The core of this set is 12 albums including the 'Strictly Instrumental' set with Doc Watson, the live Vanderbilt Concert, and 'The Story Of Bonnie & Clyde.' This set is rounded out with a Gordon Terry square-dance album on which Flatt & Scruggs are the back-up musicians, and on which the calls have been omitted.
While the first Flatt & Scruggs box on Bear Family documented the band's development over its first 11 years – 1948-1959 – this set captures the band at the height of its meteoric rise to fame into the stuff of legend. First and foremost, Flatt & Scruggs eclipsed the fame of their mentor, Bill Monroe by having six charting singles in Billboard between the mid-'50s and 1960. They also got reviewed in Playboy and Downbeat magazines and began to play the Newport Folk Festival and appear on stages with Joan Baez, Cisco Houston, the Kingston Trio, New Christy Minstrels, Woody Guthrie, John Jacob Niles, and many others.
The first of four box sets documenting the complete recordings of Flatt & Scruggs as a working band, this one detailing the group's first 11 years is generally considered the most essential. These 113 tracks represent the duo's complete Mercury recordings on disc one and the beginning of their Columbia sides on discs two through four. There is one completely unissued cut, and the entire package has been remastered and contains copious liner notes.