Flora Fischer

" Mais docteur, vous m'aviez dit que ce n'était qu'un prélèvement de routine ", s'étonnait mon patient.C'est une difficulté dans l'attitude du soignant. Tant qu'on n'a pas le résultat, on s'oblige à un discours très neutre, jugé parfois trop réconfortant.
Devant Flora Fischer, les patients se mettent nus et se mettent à nu. Dans un cabinet de dermato, c'est tout l'intime qui se joue. …

The David harp is a type of harp from the German Baroque period. The figure of King David is usually depicted on the head of the harp column. The strings are fitted with brays, which gives this instrument a typical buzzing sound. In addition to the David harp, however, a number of other types of harp were used in baroque Germany, such as the single-row hooked harp, on which the pitch could be altered with hooks on the strings, or double-row chromatic harps.

This 1998 release by Brazilian percussion god Dom Um Ramao marks his first solo recording in more than 30 years. Romao has been an in-demand session player since the mid-'60s and was one of the founding members of Weather Report. His own albums on the late, great Muse label, one named eponymously and the other entitled Spirit of the Times, were rhythm orgies that pasted together all of the traditions he'd worked in up until that time: from Sergio Mendes and Sinatra to Flora, Airto, and Weather Report. Rhythm Traveler is a return, of sorts, in that it is an engagement with Brazilian song forms from both folk musics and popular song, all translated through a jazzman's manner of hearing.

Decca proudly presents the Complete Works by Giuseppe Verdi in a single 75 CD box set. From the ever-popular “Aida” to the obscure “Alzira,” all 28 of Giuseppe Verdi's operas are here as well as his Sacred Works, Arias, Songs, Ballet Music, the String quartet and other rarities.

Like many of England's finest musicians, Andrew Lawrence-King began his career in choir school, serving as head chorister for the Cathedral and Parish Church of St. Peter Port, Guernsey. He took an organ scholarship to Cambridge University, where he read mathematics, but finished his studies in organ and voice at the London Early Music Centre. A party at a harpmaker's house gave the opportunity for Lawrence-King to own his first early harp, modeled after a Medieval Irish instrument.