One of Duke Ellington's finest small group sessions from his final decade was this frequently exciting quartet date with guitarist Joe Pass, bassist Ray Brown and drummer Louie Bellson. Ellington's percussive style always sounded modern and he comes up with consistently strong solos on such numbers as "Love You Madly," "The Hawk Talks" and especially "Cotton Tail," easily keeping up with his younger sidemen. Highly recommended.
In 2008, Sony BMG Records (Europe) released a compilation 3-CD Box Set titled Ladies and Gentlemen: The Best of Vocal Jazz. It features a dazzling array of iconic singers and vocal groups who define the jazz genre...
…This album, recorded in 1976, has been regarded as "The Best Jazz Recording of the Century"! Most audiophiles all over the world should have already be in possession of one. Its musical artistry and sonic excellence have few peers. Give yourself a justifiable treat - Get one as quickly as you can! This is the ultimate version of the audiophile favorite. This edition is remastered using the complete original master tapes (for both Disc 1 & 2) in K2HD format. In the past, many versions produced with the copy of the master tape for Disc 2. Now the original master tape of Disc 2 has been re-discovered. It will redefine the pinnacle of audio excellence.
That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
The North Sea Jazz Festival is an annual jazz festival held each second weekend of July in the Netherlands at the Ahoy venue. It used to be in The Hague but since 2006 it has been held in Rotterdam. (…) The festival is widely acknowledged as the "biggest jazz festival in the world", and has a strong reputation for showcasing many different areas of jazz from all eras.
While Miles Davis and Stan Getz were doing their cool things, there was another Yank chasing the pack - John Haley 'Zoot' Sims from California.
From four 1950s albums - The Four Brothers…. Together Again, From A To Z, Zoot and Whooeeee, we get the chance to hear arguably the best of Sims' work from the era, and maybe his long and illustrious career. ~ AllGigs
…The music is disruptive, unpredictable, and played with precision and galling pluck by a fine group of musicians. Definitely one of Buchbinder's most ambitious undertakings and one of the most intriguing recent jazz releases I've heard.
… but perhaps most compelling are the chances Quasthoff takes on some of the slower pieces – specifically Stevie Wonder's "You and I," which is a song heavily influenced by jazz, to be sure, but that also implies soul vocals in some of the explosive expansions of its melodic line. It is here that one realizes most fully that one is hearing a rare vocal virtuoso, and that one enjoys a rare vocal delight to its fullest.
One of the most distinctive of all pianists, Erroll Garner proved that it was possible to be a sophisticated player without knowing how to read music, that a creative jazz musician can be very popular without watering down his music, and that it is possible to remain an enthusiastic player without changing one's style once it is formed. A brilliant virtuoso who sounded unlike anyone else, on medium tempo pieces, Erroll Garner often stated the beat with his left hand like a rhythm guitar while his right played chords slightly behind the beat, creating a memorable effect.