Frank Sinatra Frankly Sentimental

The final album in the trilogy of Frank Sinatra collaborations with conductor and arranger Billy May, this 1961 release follows Come Fly With Me and Come Dance With Me! and served as a showcase for Capitol's new Full Dimensional Stereo. Arranged by Billy May, Come Swing with Me! was Frank Sinatra's final swing session for Capitol Records. The album falls somewhere between the carefree Come Fly with Me and the hard-swinging Come Dance with Me!, borrowing elements of the humor of Fly and the intense, driving rhythms of Dance. Recorded without strings or saxes, the brass-heavy sound of the album was noticeable, but it wasn't nearly as distinctive as the ping-ponging stereo effects of the album.

"The Complete Reprise Studio Recordings" contains 20 discs with in total 452 songs, and that means every Sinatra recording on the Reprise label from 1960 to 1988 in chronological order. It features more than 24 hours of music, and is available in both a standard edition, and limited edition in a leather box. This set was nominated for a 1997 Grammy Award for Best Historical Album and Best Recording Package – Boxed.
In 1961, Sinatra inaugurated his own label, claiming the artistic freedom he longed for in the fifties. He then proceeded to do it his way, and this 20-disc set is the painstakingly detailed account of that artistic journey……….

Nicknamed "The Voice," "Ol' Blue Eyes," "The Chairman Of The Board," and "Frankie Boy." Beginning his musical career in the swing era with Harry James (2) and Tommy Dorsey, Sinatra became a solo artist with great success after signing with Columbia Records in March 1943; he stayed with Columbia until he got dropped by the label in June '52. Sinatra signed a seven-year recording contract with Capitol Records on March 13, 1953, and released several critically lauded albums while with Capitol. Sinatra left Capitol to found his own record label in 1960, Reprise Records, toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s.

The album is Sinatra's final swing session with Capitol Records. This album is possibly unique for the orchestral arrangement and stereophonic set-up by Billy May. Due to Capitol's signature "full-spectrum Stereo sound," the audience can distinctly hear the placement of specific orchestral pieces in the studio at the time of the recording.

The album "On the Sunny Side of the Street" by Frank Sinatra, released in 1993, is a compilation that highlights Sinatra's timeless contributions to jazz, swing, and traditional pop. The title track, "On the Sunny Side of the Street," is one of the standout pieces, originally composed by Jimmy McHugh and Dorothy Fields, and showcases Sinatra's masterful interpretation of standards.

Recorded in 1955, this superbly arranged and sung set of slow ballads can lay claim to being the world's first 'concept album.' Of course, in classical music, song cycles had been around since Schubert, but a whole set of pop tunes arranged around a central theme or mood was something new in popular music. With the advent of the LP in 1953, commercial pop music was beginning to take itself seriously.

Recorded in 1955, this superbly arranged and sung set of slow ballads can lay claim to being the world's first 'concept album.' Of course, in classical music, song cycles had been around since Schubert, but a whole set of pop tunes arranged around a central theme or mood was something new in popular music. With the advent of the LP in 1953, commercial pop music was beginning to take itself seriously.

The romantic luster of the greatest songs by Berlin, Mercer, Cahn & Styne and the Gershwins is magnificently enveloped in Frank Sinatra's warm, distinctive vocal styling. This 'Love Songs' collection features fifteen sentimental classics, digitally restored and remastered for outstanding sound, that tenderly illustrate why Sinatra was the consummate master of the art of ballad singing.

Sinatra insisted that Styne and Cahn be hired to write the songs for his first MGM musical, Anchors Aweigh, and over the course of his career, the singer recorded more songs by Cahn (a lyricist who worked with several composers) than by any other songwriter. Anchors Aweigh, in which Sinatra was paired with Gene Kelly, was released in July 1945 and went on to become the most successful film of the year. Sinatra returned to radio in September with a new show bearing an old name, Songs by Sinatra. It ran weekly for the next two seasons, concluding in June 1947. Among his eight Top Ten hits in 1946 were two that hit number one ("Oh! What It Seemed to Be" and Styne and Cahn's "Five Minutes More"), as well as "They Say It's Wonderful" and "The Girl That I Marry" from Irving Berlin's musical Annie Get Your Gun, Jerome Kern's "All Through the Day," and Kurt Weill's "September Song." He also topped the album charts with the collection The Voice of Frank Sinatra.