Frankenstein Created Woman Soundtrack

Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible. In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.

Whatever one may think about the films of director Cameron Crowe, the former music journalist for Rolling Stone always manages to amass amazing soundtrack albums by calling on the connections he made as one of the most artist-friendly writers in music business history. This "music from" various-artists collection is certainly no exception. Vanilla Sky, Crowe's American remake of Spanish director Alejandro Amenábar's film Open Your Eyes, a psychological thriller with a science fiction element starring Tom Cruise, drew mixed notices from critics and filmgoers. But not many movies have theme songs specially written by Paul McCartney (a typically melodic folk-rock ballad) or feature an artist list including tracks by R.E.M., Radiohead, Peter Gabriel, Jeff Buckley, and Bob Dylan (a live acoustic take of "Fourth Time Around" from Blonde on Blonde). Lesser-known artists such as Julianna Gianna, Red House Painters, and Josh Rouse also contribute good songs. The result is an excellent mixtape, irrespective of the virtues of the cinematic complement to the music.

There are TWO versions of The song “Daily Battles” on the Motherless Brooklyn soundtrack. The first was written by multiple Grammy Award-winning artist Thom Yorke, who, along with his Atoms For Peace bandmate Flea (Red Hot Chili Peppers), performs a sparse and emotionally captivating version of the song.

Prepare to swing with two '60s comedy scores by a pair of famous composers who are more connected than one might think: besides being friends, John Williams was at one time the piano player for Henry Mancini on soundtracks as famous as Peter Gunn.

An album which changed the way soundtrack albums were created was released this week in 1984, with the movie released the next day. This features the big hits from Glenn Frey, Patti Labelle, The Pointer Sisters, and Harold Faltermeyer plus material by Shalamar, Junior, The System, and Oingo Boingo's Danny Elfman pre-Simpsons. This was released by MCA in 1984, with the CD released a year after the film.

The singular style of Matthew Herbert initially took shape during the late '90s, when he recorded under a variety of guises to much cult adoration, and before long became one of the most recognizable name-brand producers in the dance music field, well known for his ability to transform everyday sounds into quirky rhythmic material. His affiliation with music began at the young age of four, when he began learning the violin and piano.

At last! Complete soundtrack by Basil Poledouris to John Milius epic with Arnold Schwarzenegger as Conan, James Earl Jones as Thulsa Doom, Sandahl Bergman as Valeria. Legendary music needs little introduction but long journey to 3-CD set warrants spotlight. Thought missing for decades, even by composer, Universal vaults reveal recently discovered 2" 24-track & 1/2" 3-track stereo session masters in mint condition for entire project, right down to rehearsal takes! (Assorted extra tracks on earlier Varese Sarabande release were made from composer's own incomplete 1/4" two-track copy.) Having complete multi-track session elements allows Intrada to newly mix and master everything, finding cool extras in the process! All of them are here! Poledouris originally scores main title with high trumpets joining horns on primary theme plus dynamic horn counter-melody playing in mid-section.