Frankie Drake Msyteries

The third release on ONYX from young Dutch mezzo and rising star Christianne Stotijn. A beautiful collection of 20 Tchaikovsky songs representing the whole range of his creative life from his first performed composition ''My Genius, My angel, my friend,'' written when he was 16, through to the last published song from the year of his death ''Again, as before, alone''. Includes favourites such as ''None but the Lonely Heart'' and ''Why?'' but also rarely heard songs such as ''Mild Stars Looked down'', ''The Cuckoo'' and ''The Gypsy Song'' Christianne learnt Russian especially for this recording and toured it widely before recording it with her superb pianist Julius Drake. This recording should do much to re-evaluate Tchaikovsky as one of the greatest composers of song and not just a writer of pretty tunes.

This second volume of Hyperion’s newest Lieder series features the great dramatic and musical gifts of mezzo-soprano Angelika Kirchschlager. Internationally renowned on the opera stage, the concert hall and the recording studio, Kirchschlager is an ideal performer of these most varied, complex and emotionally charged songs. She is accompanied by the multi-Gramophone Award-winning Julius Drake, who curates the series.

Nick Drake’s debut album Five Leaves Left will be issued as a four-disc box set called The Making Of Five Leaves Left, in July. The album was released by Island Records in 1969 and was produced by Joe Boyd. The new box sets comes in 4CD and 4LP vinyl variants (identical tracklistings) and include unaccompanied demos, studio outtakes and previously unheard songs. There’s over 30 previously unheard outtakes, in total. The whole set has been mastered by John Wood.

Directed by Shona Auerbach, Dear Frankie revolves around nine-year-old Frankie (Jack McElhone) and his mother, Lizzie (Emily Mortimer). The mother and son duo have been on the run for as long as Frankie, who has been deaf for years, can remember. In an effort to protect Frankie from the truth – that a psychotic father, whose physical abuse caused his hearing loss, is at the root of their constant need to move from one home to the next – Lizzie pens a series of letters from Frankie's "father" in hopes of assuaging his curiosity. However, when Frankie becomes convinced that his father is taking a break from his exotic adventures and making his way back home, Lizzie must make a tough decision: find another way to pacify Frankie's desire to meet his father or tell him the awful truth.