Free Soul Drive Solar

80s GROOVE 2 SESSIONS is 2CDs spanning the era’s rich variety of styles, from Gwen Guthrie and Cheryl Lynn’s party starters to electro anthems from Joyce Sims and Tyrone Brunson and the mellow soul of Lonnie Hill. A terrific era for dance music, which is still regularly referenced, sampled and plundered by the new soul generation.

3CD set. To finish the year with style, Buddha-Bar launches a collection full of promises. The deep house and downtempo music has evolved a lot these last months and years and it makes our ears feels better. Intense basses, hypnotizing and shamanic beats dotted with traditional Armenian, Russian or Moroccan instruments… this new deep scene seduces the new generations of clubbers and takes over EDM. A booming phenomenon, a desire to live free, far from the tumult and stress imposed by the present society… an ideocracy that grows and takes all it's meaning during one of the most incredible festival: Burning Man. Who better than Buddha-Bar, the precursor of this musical philosophy to embrace this new culture and help it grow…

Here is trio jazz from a veteran pianist, one of the best in America. With Bob Cranshaw on bass and Kenny Washington on drums - a great rhythm section!
Once identified with on-the-edge free music, keyboardist Larry Willis had a profitable flirtation with fusion in the '70s, then moved to hard bop in the '80s and '90s. Willis' playing has been frenetic, ambitious, and interesting, but during his jazz-rock and fusion days it was funky but greatly restrained and simplistic. A devotee of Herbie Hancock, Willis has found a good balance, with expertly constructed modal solos and also lyrical, relaxed statements.

A collection of 6 CD, which includes all the studio albums by American alternative rock band from Sacramento at the moment. Best-known for their ubiquitous hit "The Distance," Cake epitomized the postmodern, irony-drenched aesthetic of '90s geek rock. Their sound freely mixed and matched pastiches of widely varying genres – white-boy funk, hip-hop, country, new wave pop, jazz, college rock, and guitar rock – with a particular delight in the clashes that resulted. Their songs were filled with lyrical non-sequiturs, pop-culture references, and smirky satire, all delivered with bone-dry detachment by speak/singing frontman John McCrea. Cake's music most frequently earned comparisons to Soul Coughing and King Missile, but lacked the downtown New York artiness of those two predecessors; instead, Cake cultivated an image of average guys with no illusions and pretensions about their role as entertainers. At the same time, critics lambasted what they saw as a smugly superior attitude behind the band's habitual sarcasm.