The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. The trio formed in the late '80s in the New Jersey area, where Lauryn Hill and Prakazrel Michel ("Pras") attended a local high school and began working together. Michel's cousin Wyclef Jean ("Clef") joined the group (then called the Tranzlator Crew), and the trio signed to Ruffhouse/Columbia in 1993. After renaming themselves the Fugees (a term of derision, short for refugees, which was usually used to describe Haitian immigrants). Though the group's debut album, Blunted on Reality, was quite solid, it reflected a prevailing gangsta stance that may have been forced by the record label. Presents the Carnival No matter how pigeonholed the Fugees may have sounded on their debut, the group had obviously asserted their control by the time of their second album, The Score. With just as much intelligence as their jazz-rap forebears, the trio also worked with surprisingly straight-ahead R&B on the soulful "Killing Me Softly With His Song," sung by Lauryn Hill. Elsewhere, Clef and Pras sampled doo wop and covered Bob Marley's "No Woman No Cry," giving the record familiarity for the commercial mainstream, but keeping it real with insightful commentary on their urban surroundings. The Score became one of the surprise hits of 1996, reaching number one on the pop charts and making the Fugees one of the most visible rap groups around the world.
Funkmaster Flex's The Mix Tape, Vol. 1 recalls hip-hop's past while pointing toward its future. Featuring a wide array of hip-hop styles graced by amazing freestyle raps by some of the '90s top MCs, the album sounds like a mixtape compiled from the radio and 7" singles - there's simply nothing but first-rate music, with no filler whatsoever. Although there are elements of old-school rap as well as modern funk, the daring production and stunning rhymes make The Mix Tape a rarity of mid-'90s hip-hop - it's a record that sounds like none of its competition. It announces itself as an instant classic.
The third (and final, according to the album's subtitle) chapter of New York DJ Funkmaster Flex's mix albums is the best of the bunch, a gritty combination of old- (A Tribe Called Quest, House of Pain, Naughty By Nature) and new-school rappers (Missy Elliott, Wu-Tang Clan, Busta Rhymes).