Historic pre-Gong performance. This is a recording of Daevid and Gilli's performance upon their return to the U.K., four years after Daevid was refused entry in 1967, which led him to leaving Soft Machine. The recording is a reasonable audience recording, regardless, this is an intriguing and historic performance and highly recommended to all Gong heads and Daevid Allen fans alike. The material was the recent spoken word/soundscape material at the time, but also brings forward new material which was to see new life in the Gong era. The band for this show is as follows: Daevid Allen (guitar,spoken word, tape loops), Gilli Smyth (spoken word and vocal improv - space whisper), Robert Wyatt (drums), Hugh Hopper (bass), and Elton Dean (sax).
Kenneth Ray "Kenny" Rogers is an American singer-songwriter, actor, record producer, and entrepreneur. He is a member of the Country Music Hall of Fame. Though he has been most successful with country audiences, Rogers has charted more than 120 hit singles across various music genres, topped the country and pop album charts for more than 200 individual weeks in the United States alone and has sold over 100 million records worldwide, making him one of the best-selling music artists of all time. He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People. He has received numerous such awards as the AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.
The four-disc box set Dear Mr. Fantasy digs deep into Jim Capaldi’s legacy, providing a thorough overview of the musician best known as Steve Winwood’s sparring partner in Traffic. Appropriately, there is a hefty chunk of Traffic here along with a good sampling of his solo albums, plus a fair number of rarities ranging from his first group the Hellions to the pre-Traffic bands Revolution and Deep Feeling and a previously unreleased collaboration with George Harrison called “Love’s Got a Hold of Me.” It’s a generous set that will satisfy the devoted while providing several surprises to those who have looked no deeper than Traffic but were always curious about what else Capaldi had to offer.
Although they weren't particularly innovative, and nothing they recorded ever changed the course of rock or pop music one iota, Gary Lewis & the Playboys don't really deserve the marginalization they've gotten to the footnote side of rock & roll history. They were a 1960s singles band, pure and simple, and the perfect example of a "summer band," one that plays fun songs full of bright harmonies, specializing in melodic singalongs that made up for what they lacked in depth by being infectious and persistent. Yeah, drummer and singer Gary Lewis was the son of comedian and star Jerry Lewis, but that's just the footnote to a footnote. Lewis could sing, and he was skilled enough at it to do it while he was playing drums, so forget any notions that his recording career was due entirely to privilege.