From Dusk Till Dawn 2

After years of producing albums which were more pop/funk than jazz oriented, George Duke simmers down, leaves off the R&B vocals, and takes a little creative license on the self-proclaimed "mood record" After Hours. While his recent Muir Woods Suite showed off his affinity for classical music, here he's at his best on the meditative Vince Guaraldi-type trio ballads "Together as One" and "Sweet Dreams," which glide along on the improvisational and gently swinging graces of Christian McBride and Leon "Ndugu" Chancler. A whole project in this vein would have been welcome, but Duke charters other new territory, too; on the easy grooving "The Touch" and the almost new agey "From Dusk Till Dawn," he borrows the actual Rhodes from Joe Sample but winds up perfectly simulating Bob James' "Taxi" vibe, especially on the exploratory solo on the latter tune. The untrained ear might swear it's an actual James recording, but Duke's a clever enough producer to go beyond strict imitation. "The Touch" achieves an intriguing low-toned brew, as Sheridon Stokes' bass flute melody drifts gently over a hypnotic weave of Larry Kimpel's bass and Duke's Rhodes.

This 14-track collection brings together some of the more notable entries from the soundtracks of the Quentin Tarantino films Reservoir Dogs, Pulp Fiction, Natural Born Killers and True Romance, with a running commentary through this disc from the director himself. The featured songs include "Misirlou' by Dick Dale, "A Little Bitty Tear" by Burl Ives, "Stuck in the Middle with You" by Stealer's Wheel, "You Never Can Tell" by Chuck Berry, "Sweet Jane" by the Cowboy Junkies, "Dark Night" by the Blasters, "Foolish Heart" by the Mavericks, "Girl, You'll Be a Woman Soon" by Urge Overkill and "Graceland" by Charlie Sexton.

Tito & Tarantula is an American chicano rock/stoner rock band formed in Hollywood California in 1992 by singer/songwriter/guitarist Tito Larriva. The band is best known for its songs, "After Dark", "Back to the House That Love Built", "Strange Face of Love", and "Angry Cockroaches", as well as for its role in Robert Rodriguez's film From Dusk till Dawn as the band performing at the "Titty Twister" nightclub. "After Dark" was the track played during Salma Hayek's iconic exotic dance scene in that film, and later became the theme for From Dusk Till Dawn: The Series. Back into the Darkness is the fifth album by Tito & Tarantula, released in 2008.

Tarantism is the debut album by Los Angeles rock band Tito & Tarantula, released in 1997. The album was the first full-length CD that the band ever released, after developing a fan base from performing the songs "After Dark", "Angry Cockroaches (Cucarachas Enojadas)", and "Opening Boxes" on the From Dusk Till Dawn soundtrack as well as the songs "Back to the House (That Love Built)", "Strange Face (of Love)", and "White Train" to the Desperado soundtrack, both of those films by Robert Rodriguez, who co-produced the album. Several members of the band were also featured in From Dusk Till Dawn, playing as the band in the "Titty Twister" bar, performing "After Dark" and "Angry Cockroaches (Cucarachas Enojadas)", and are well-remembered for the scene.

The long awaited new studio album! For the recordings, Tito Larriva chose a studio near his hometown. He grew up in El Paso, Texas, and always wanted to record in this studio called Sonic Ranch, less than an hour away. He thought it would be fun to be near his dad while recording the new album. Larriva drew energy from his father, the desert, and all the magical moments he carries in his heart. From what he calls home. "8 ARMS TO HOLD YOU" captures the colors and smells of the desert, is passionate and romantic. Along with Tito's electrifying vocals, another masterpiece in his long and successful career as a musician, composer and actor.

Two complete Rockpalast TV shows from Germany (1998 / 2008) plus a bonus concert from 2002, 12-page booklet. The Rockpalast performance of June 21, 1998 at the Loreley is a significant example of the first international phase of success. It was Tito & Tarantula's third concert in Germany and it shows that their musical reputation did not crumble to dust in broad daylight at all. At that time the violinist and mandolin player Lyn Bertles gave the band a more folkloristic touch. That and the simmering mixture of blues, rock and Americana with Mexican influences put the German crowd under the same spell as the shady spectators in the famous movie scene…